NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya jazz fest to raise money for slum kids

31 Jan 2018 - 15:32

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American jazz trio BWB (Braun-Whalum-Brown) will headline the fifth edition of Safaricom International Jazz Festival at Kasarani Training Grounds in Nairobi, Kenya, on 25 February.

Rick Braun, Kirk Whalum and Norman Brown.

The charity festival donates its proceeds to Ghetto Classics, a community-based organisation that uses music to unfetter the youth of Nairobi’s Korogocho slum from the cycle of poverty, drugs and crime.

While this will be guitarist Norman Brown’s maiden visit to Kenya, Grammy Award winners saxophonist Kirk Whalum and trumpeter Rick Braun performed alongside Gerald Albright and Sheléa Frazier at Safaricom Jazz Lounge events in Nairobi and Mombasa in December 2016.

BWB is well known for its 2013 Human Nature album, a smooth jazz offering that adapts and rearranges some of Michael Jackson’s greatest hits including ‘Billie Jean’, ‘Man in the Mirror’, ‘The Way You Make Me Feel’ and the title track, ‘Human Nature’, among others.

“This edition of Safaricom International Jazz Festival has a special place in our hearts for many reasons,” the brains behind the festival and Safaricom CEO Bob Collymore said.

“Not only are we celebrating five years of great live jazz performances from world-renowned and locally admired musicians, we are also celebrating the social impact we’ve created through funds raised from the festival.”

Speaking to Music In Africa, the project manager of Ghetto Classics, Simon Kariuki, enumerated the gains that the music programme had made over the last five years. He said the telco’s funding enabled the organisation to teach children how to play classical music and hire them once they graduated to teach others. Though there are many projects in Korogocho, Kariuki contends that none have impacted the community quite as much as Ghetto Classics.

“Even the gangs in the slum don’t rob our kids any more,” he said. “When we started they would snatch their instruments and harass tutors who would visit the community. With time, however, the programme has transformed the community and turned many away from crime. Gang members actually act as security when we have dignitaries and visitors from all over the world.”

Safaricom has to date donated more than 37 million Kenyan shillings ($365 000) from festival proceeds to Ghetto Classics. More than 1 400 boys and girls under 18 years are benefitting from the programme, which uses the funds to purchase musical instruments, provide training, and finance basic needs such as school fees and shelter for the children and their families.

This year, the jazz festival hopes to raise a further 20 million shillings for Ghetto Classics. Additionally, beneficiaries of the programme will be performing alongside Jimek, a Polish composer and music producer known for his wildly popular ‘History of Hip Hop’ composition. Fans can also expect electric performances from Kenyan favorites Mambo Tribe and Limericks, as well as The Betty Bears (Israel), Lean (Belgium), Joya Wendt (Germany) and Gloria Bosman (South Africa).

“The whole idea of the festival is to make jazz music more accessible and inclusive, and to use this to break down barriers and create opportunities for talented Kenyan artistes to play alongside international stars and appeal to a larger local audience,” Collymore said.

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