NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya Theatre Awards nominations 2023: See the full list of nominees

25 Jan 2023 - 08:47

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The nominees for the second edition of the Kenya Theatre Awards (KTA) have been announced ahead of the awards ceremony at the Kenya Cultural Centre in Nairobi on 23 February.

A performance by Dance Centre Kenya. The school has been nominated for the Best Dance Theatre Award. Photo: Dance Centre Kenya

The awards seek to celebrate outstanding achievements of individuals and organisations in the Kenyan theatre industry.

Members of the public can vote for their favourite theatre productions and personalities under categories such as Best Production, Best Director, Best Musical Score, Best Original Choreography in a Musical, Best Musical Theatre Production, Theatre Company of the Year and Best Dance Theatre, among others.

Voting opened on 24 January and will close on 13 February at 23.59pm.

Below is the full list of the nominees:

Best Musical Theatre Production

  • Mekatilili wa Menza (Woodcreek School)
  • Kesho Amahoro (Youth Theatre Kenya)
  • Les Misérables (Braeburn School)
  • Lion King (St Mary’s Sportsview Academy)

Best Musical Score, Arrangement or Adaptation

  • Vikash Pattni (The Manic Monologues)
  • Noah Akintade (I Will Marry When I Want/Ngahiika Ndeenda)
  • Andrew Patrick, Odhiambo Tumbo Geoffrey (Mekatilili wa Menza)
  • Shimaka (Something Must Kill a Man)

Best Sound Design

  • Amar Desai (Les Misérables)
  • Dance Centre Kenya (The Nutcracker)
  • Ambrose Kimani (Supernova)
  • Martin Steven Odongo, Josiah Otieno (The Fifth)
  • Bill Rowe (Spread Your Garment Over Me)

Best Original Choreography in a Musical/Play

  • Sam Njenga Githongo (Mekatilili wa Menza)
  • Alladeen (I Will Marry When I Want/Ngahiika Ndeenda)
  • Cooper Rust (The Nutcracker)
  • Maribel Larson (Robinson Crusoe and The Pirates)
  • Neville Ignatius (Kesho Amahoro)

Best Dance Theatre

  • Dance Centre Kenya (Cinderella)
  • Sarakasi Trust (Circus Mother Nature)
  • Origins Dance Company Kenya/The Academy of Dance and Art African (Contemporary Ballet)
  • Dance Centre Kenya (The Nutcracker)
  • The Academy of Dance and Art (Peter Pan)

Best Production

  • Supernova (Prevail Presents)
  • I will marry When I Want/Ngahiika Ndeenda (Nairobi Performing Arts Studio)
  • Blessed Be the Fruit (Prevail Presents)
  • Speak Their Names (Jigsaw Limited)
  • Mekatilili wa Menza (Woodcreek School)

Best Spoken Word Production

  • Mufasa for President (Mufasa Poet)
  • Vita Vya Vina (Upgrade Poetry)
  • The Other Things and Love (Gufy)

Best Standup Comedy Production

  • Because You Said So
  • Manmade Woman (Astar Productions)
  • Punchline Comedy (Sticks and Stones Ltd)
  • Our Father Who Laughs In Heaven (Captain Otoyo)
  • Standup Collective

Best Storytelling Production

  • Mulongo (Kiqwetu Limited)
  • Big Boys of Shibale (CMG Poshmedia)
  • Something Must Kill a Man (CMG Poshmedia)

Best Male Performance in a Solo Production

  • Martin Kigondu (Supernova)
  • Joseph Obel (Kundinyota)
  • Kimani Wandaka (Jijue: Ishow)

Best Female Performance in a Solo Production

  • Esther Kahuha (Manmade Woman)
  • Dr Zippy Okoth (Side Chick Wife)
  • Anna Mwalagho (The Journey of the Spirit)

Best Breakthrough Male Performer

  • Dadson Gakenga
  • Trevor Munene
  • Vikash Pattni
  • Elvis Mambo
  • Victor Muyekwe

Best Breakthrough Female Performer

  • Nikita Wakonyu
  • Cindy Kahuha
  • Nyokabi Macharia
  • Tana Gachoka
  • Shantel Moraa

Best Performance by a Male Actor in a Supporting Role (Play)

  • Eric Chege (Harukia Konji)
  • Martin Kigondu (I Will Marry When I Want/Ngahiika Ndeenda)
  • Timothy Ndisii (Open and Shut)
  • Cyprian Osoro (Coast of Living)
  • Robinson Mudavadi (Backstreet)

Best Performance by a Female Actor in a Supporting Role (Play)

  • Bernice Nthenya (If The Shoe Fits)
  • Marrianne Nungo (Blessed Be the Fruit)
  • Angel Waruinge (I Will Marry When I Want/Ngahiika Ndeenda)
  • Isabela Moraa (Cold Heart)

Best Performance by a Male Actor in a Leading Role (Play)

  • Bilal Mwaura (I Will Marry When I Want/Ngahiika Ndeenda)
  • Sam Psenjen (Mstinji:The Miser)
  • Brian Ogola (Speak Their Names)
  • Charles J Ouda (How to have an Affair: A Cheaters’ Guide)
  • Nick Kwach (Coast of Living)

Best Performance by a Female Actor in a Leading Role (Play)

  • Nice Githinji (How to have an Affair: A Cheaters’ Guide)
  • Clare Wahome (The Dying Need No Shoes)
  • Nice Githinji (I Will Marry When I Want/Ngahiika Ndeenda)
  • Lorna Lemi (Blessed Be the Fruit)
  • Nyce Wanjeri (Minja Minjia)

Best Performance by a Female Actor in a Monologue

  • Nyokabi Macharia (Spread Your Garment Over Me)
  • Audi Rowa (The Manic Monologues)
  • Wakio Mzenge (The Manic Monologues)
  • Patricia Kihoro (The Sex Lives of African Women)
  • Julisa Rowe (Spread Your Garment Over Me)

Best Performance by a Male Actor in a Monologue

  • Elsaphan Njora (The Manic Monologues)
  • Charles J Ouda (The Manic Monologues)
  • Nick Ndeda (The Manic Monologues)
  • Sam Psenjen (Voices of the Bible: Kings and Leaders Edition)

Best University/College Theatre Group

  • Kenyatta University
  • The University of Nairobi
  • Strathmore University
  • Nairobi Institute of Music and Performing Arts (NIMPA)

Theatre Company of the Year

  • Fanaka Arts Theatre
  • Heartstrings Entertainment
  • Millaz Productions Kenya
  • Nairobi Performing Arts Studio
  • Chemichemi Players

Best Children’s Play

  • Aesop's Fables (Dance Centre Kenya Junior Company)
  • The Nutcracker (Dance Centre Kenya)
  • Kesho Amahoro (Youth Theatre Kenya)
  • Cinderella (Dance Centre Kenya)
  • Mekatilili wa Menza (Woodcreek School)

Best Two-hander Production

  • The Island (David Mulwa Production)
  • How to have an Affair: A Cheaters’ Guide (Shorts from Africa)
  • Bro Code (Unplugged ENT)
  • The Dying Need No Shoes (FalmeArts)
  • Ichor (Nyakagwa Mahaga Performing Arts)
  • Supernova (Prevail Presents)

Best Lighting Design

  • Charles Stephen (How to have an Affair: A Cheaters’ Guide)
  • Alacoque Ntome (Mekatilili wa Menza)
  • Stuart Nash (I Will Marry When I Want/Ngahiika Ndeenda)
  • Stuart Nash (Mstinji: The Miser)
  • Chris Childs and Wilfred Onyango (Robinson Crusoe and The Pirates)

Best Stage Manager

  • Mercy Wangui (How to have an Affair: A Cheaters’ Guide)
  • Mercy Wangui (I Will Marry When I Want/Ngahiika Ndeenda)
  • Mercy Wangui (Mekatilili wa Menza)
  • Brenda Nyambeki (Supernova)
  • Mercy Wangui (Spread Your Garment Over Me)

Best Set Design

  • Mr Mbugua (Minja Minjia)
  • Stuart Nash (I Will Marry When I Want/Ngahiika Ndeenda)
  • Lewis Kavoi Xavier and Jairo Obege (Mekatilili wa Menza)
  • Brian Irungu (Takataka)
  • Kigondu Wanjiru (Supernova)

Best Playwright – Original Script

  • Kigondu Martin (Supernova)
  • Dr Fred Mbogo (The Dying Need No Shoes)
  • Dr Fred Mbogo (How To Buy A House In Kitengela)
  • Andrew Patrick, Odhiambo Tumbo (Mekatilili wa Menza)
  • Silvia Cassini (Speak Their Names)

Best Adaptation

  • Shalini Bhalla-Lucas – The Manic Monologues
  • The Miser Cast (Molière) – Mstinji: The Miser
  • Karen Kaz Lucas (Nana Darkoa Sekyiamah) – The Sex Lives of African Women
  • Claude-Michel Schönberg and Alain Boublil – Les Misérables
  • Dance Centre Kenya – Aesop's Fables

Best Lighting Design

  • Charles Stephen (How to have an Affair: A Cheaters’ Guide)
  • Alacoque Ntome (Mekatilili wa Menza)
  • Stuart Nash (I Will Marry When I Want/Ngahiika Ndeenda)
  • Stuart Nash (Mstinji – The Miser)
  • Chris Childs and Wilfred Onyango (Robinson Crusoe and The Pirates)

Best Costume Design

  • Christina Baya and Philine Olesi (Mekatilili wa Menza)
  • Philline Olesi (I Will Marry When I Want/Ngahiika Ndeenda)
  • Antonia Mukandie (The Nutcracker)
  • Native Woman (Circus Mother Nature)
  • Antonia Mukandie (Cinderella)

Best Kikwetu Production (Vernacular Shows)

  • Minja Minjia (Fanaka Arts Theatre)
  • Ngahiika Ndeenda (Nairobi Performing Arts Studio)
  • Kina Obirore (Mkisii Ni Mkisii)
  • Chimidzi Midzi (Jukwaa Arts)
  • Bugotuona (Njota Cia Meru)

Best Director

  • Martin Kigondu (Blessed Be the Fruit)
  • Jazz Moll (Kesho Amahoro)
  • Stuart Nash (I Will Marry When I Want/Ngahiika Ndeenda)
  • Lewis Kavoi Xavier (Mekatilili wa Menza)
  • Alacoque Ntome (The Dying Need No Shoes)

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