NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Kenya: Top gengetone songs of 2020

14 Dec 2020 - 13:30

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In 2019 gengetone took over Kenya’s airwaves, parties and clubs. As we head into the end of 2020, the genre is still among the top sounds of the country's pop culture. The style is a rapidly growing movement fronted by young artists and borrows from a long-time Kenyan favourite: genge, which has roots in hip hop and dancehall. Gengetone’s lyrics are delivered in slang while the music videos are mostly associated with rawness and an unapologetic attitude towards sexual encounters and the party lifestyle.

Sailors.

Kenyans were exposed to the genre in 2018 through the track ‘Lamba Lolo’ by Ethic Entertainment and fell in love with it. However, the single was banned by the Kenya Film Board (KFB) on account that its content promoted irresponsible sexual behaviour among young people.

The following year, Kenyan musicians started the #PlayKeMusic online debate, which condemned local DJs and media outlets for giving more airtime to Afrobeats and bongo flava instead of Kenyan music. The debate provided an avenue for the style to gain further local attention. It received backing from privately owned minibus operators and DJs who began playing gengetone mixtapes. It also went viral on social media.

“Gengetone documents the urban realities of the ghetto,” a fan by the name Miyamoto Musashi wrote on Facebook last year. “Gengetone rappers talk about things they encounter daily. They don’t talk about how dope they are or what cars they are driving; they tell you what they know and experience. That's what I admire about the genre. And the language, sheng [slang], is the vehicle of this authenticity.”

We have curated a playlist of popular gengetone songs released in 2020, featuring well-known groups like Sailors, Ochunglo Family and Boondocks Gang.

Daktari by Ethic Entertainment

Wamocho by Mbogi Genje and Richy Haniel ft. Mejja

'Tiktok' by Boondocks Gang

Deep Down by Rekless

Kidungi by Mbogi Genje

Wagithomo by Joefes and Fathermoh ft. Swat, Exray, Ssaru, Dullah, Mbuzi Gvng

Kuja Mbaya by Mbogi Genje ft. Exray

Wanjiku by Dmore, Benzema and Nellythegoon

Chain Chain by Chris Kaiga

Stingo by Boondocks Gang (Exray), DJ Deklack, Tileh Pacbro, Pitah Scarlet and Shornarway

Lewa by Parroty, Kabagazi, OneBoy and Mejja

Dunda by Sailors

Mpenzi Mtazamaji by Ochunglo Family ft. Kansoul

Make Up by Benzema, Nellythegoon and Dmore

Gengetone Love by Matata

Madhudha na Magwai by Wakuu ft. Breeder LW and Sylvia Sssaru

Sambusa by Addi Chokoch, Dmore, ExRay, Nellythegoon and Maddox

Kalale by Willis ‘Bazu’ Raburu ft. Rekless, Breeder LW, Mejja and Ssaru

Tuko Locked by Dmore, Parroty, Kappy and Mastar VK

Staga Niki Medi by Ethic Entertainment

Zungushiwa by Ssaru and Shay Diva

Hainishtui by Boondocks Gang and Kansoul

Banger by Blacowp and Willis ‘Bazu’ Raburu

Missed Call by Breeder Call

Wakiritho by Octopizzo ft. Sailors

Dondoka by Ethic Entertainment

Sote by Rekless ft. Mejja

Foto Moto by Noti Flow and Benzema

Sidonyo by Boondocks Gang

Weekendy by Sailors

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