NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenyan artist sues politician over campaign jingle

19 Jul 2022 - 15:58

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A Kenyan musician has begun legal action against a politician over alleged copyright infringement.

Patrick Wainaina, seen campaigning in this photo, is being sued by artist John Kamau.

In a statement issued by his lawyers this week, John Kamau objected against Kiambu County gubernatorial candidate Patrick Wainaina’s use of the ‘Tusonge Mbele na UDA’ jingle during his campaign ahead of the 9 August general elections.

“Those who have watched his campaign advertisements know he is using my jingle,” Kamau said. “It is sad that a leader who claims to be championing for economic empowerment, especially among the youth, would make use of a young producer’s sweat so wantonly and without regard. Wainaina’s actions reflect poorly on him as a leader and aspiring gubernatorial candidate.”

Kamau’s legal team says it reached out to Wainaina to settle the matter out of court without success. The lawyers added that their letters has neither been acknowledged nor responded to.

“Our client has since instituted takedown proceedings against the song on Jungle TV, the candidate’s YouTube page, and hereby forewarns any and all stations playing this song,” they said. “The action of airing the song constitutes copyright infringement and our client will not hesitate to lay a claim against those broadcasting or streaming this song.

“Therefore, those engaging in the said actions have been granted 48 hours to take it down and remove the campaigns of their respective broadcasting schedules until this matter is resolved. Meanwhile, our client will be proceeding to court to institute a copyright infringement matter.”

The court will now investigate where the copyright lies and assess compliance with regard to the Copyright Act.

Leading Nairobi-based intellectual property lawyer Elizabeth Lenjo says Kenya’s Copyright Act is clear about the rights granted to copyright holders and the control they have over their works. “Failure to get such permission from the rightsholder amounts to copyright infringement,” she said.

Asked why the politician seems to be disregarding calls to resolve the matter, Lenjo said many political figures did not regard copyright as a matter of importance.

“As such, when citizens should come together to hold their leaders accountable, the opposite happens,” Lenjo said. “They turn against each other and forget we should be having a conversation about what is right and what is wrong.

“In 2013, we handled a copyright infringement case against a politician who was running for office and we were met with hostility and even death threats. It is a very bizarre way of dealing with disputes. In other countries – like South Africa, the UK and US – compliance and respect for copyright is much higher. I’ve had copyright infringement disputes in some of these jurisdictions, though not with politicians, and we settled them expediently and amicably. Something I marvel about every day.”

So what must be done to put an end to copyright infringements in Kenya? “We need to empower specialised courts or tribunals, broaden their mandate and ensure that intellectual property rights in the creative industries are upheld. These specialised courts or tribunals have the power to guide the higher courts in the event there are appeals against their decisions. I believe we also need to find more stringent ways to hold copyright violators accountable, especially those with influence and perceived higher power,” Lenjo said.

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