NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Kenyan duo Watendawili is redefining Afropop

10 Jun 2025 - 14:12

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With a sound that defies easy categorisation and a fearless approach to genre, Kenyan duo Watendawili have emerged as one of East Africa’s most compelling musical acts. Fusing Afropop, soul, R&B, and traditional Kenyan influences, their music reflects a generation of artists unbound by convention. Their debut album En Route has earned praise not only for its sonic richness, but for its emotional depth and artistic maturity, qualities that took six years to hone.

Kenyan Afropop duo Watendawili. Photo: lifewithoutpj_

Watendawili recently joined Nandi Madida on FaceTime for an exclusive Apple Music 1 interview, where they opened up about their creative journey, the benefits and challenges of remaining independent, and the importance of staying true to their artistic instincts. Known for pushing boundaries and refusing to stick to one defining sound, the pair have embraced musical experimentation as a form of personal expression and their fans have followed them every step of the way.

During the conversation, the duo also teased major upcoming collaborations and new music on the horizon. From working with celebrated Kenyan vocalist Xenia Manasseh on the soulful ‘Beba’ to promising a mystery collaboration with a member of Sauti Sol, Watendawili continue to elevate their sound while expanding their reach beyond Kenya. As their star rises, one thing remains certain: they are charting their own course, on their own terms.

Watendawili tells Apple Music why they love to experiment

One thing about Kenyans is the Kenya palette is really broad. So that’s one of the things that really helped us in terms of being free and experimental with our music. It can be risky business, when you say “target audience” and have fans who've enjoyed previous works of ours, but one thing I’m really grateful for is [that] we are really diverse artists. I think for a very long time we were trying to find that one defining sound. We were going around in circles until we realised our power is in our diversity. So now we embrace it, and we use it to our benefit. So every single time we write stuff, it’s based on where and in which phase we are in our lives.

Why their debut album, En Route, was so important

For a very long time, ever since the beginning of our career, an album is something we always used to talk about as something that's grand. So we really took time on it. We were very, very intentional that the first baby, the first project we put out really meant something to us. That’s why it took six years before we released our debut album.

The benefits of being independent

Money can be a factor, but once you build it, it’s yours and you don’t owe anyone anything. I think with us being independent, it definitely seems like a longer route, but we are hands-on with so many things. If there’s a publishing meeting, we go to the publishing meeting. If it’s a distribution meeting, we are present in the distribution meeting. We learn how the machine works, so that even if you decide to join a bigger machine, you still have an understanding of how it runs. We think the long route has a lot of lessons, which we're willing to take, so that we can learn and grow.

Collaboration with Xenia Manasseh on ‘Beba’

We were ready to release the album. We didn't have a release date, but we were teasing it on social media, and Xenia reached out to us and she was like, “Yo guys, you can’t drop this album, I’m not on it!” So we met in studio and we made the beat from scratch before she came back to Kenya to record. It was really nice, as we got to pick her mind. When we collaborate with people, it's even more powerful because we get another perspective. We get someone’s soul, we get someone's mind, and it makes the song even heavier.

What they’re working on

This year we’re going to do collaborations outside of Kenya. It’s something we haven’t explored before, but that’s what we're going to give. We have a collaboration with one of the Sauti Sol members. We won't say who, we can’t say who yet—so big, big collaborations—and a project is coming! An EP? An album? You never know! But we're going to give you something.

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