NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenyan festival to bring together world’s jazz greats

15 Feb 2016 - 07:23

cc-img flag-img

Kenya's premier jazz event, the Safaricom Jazz Festival, takes place on Sunday 21 February at the Safaricom Stadium Kasarani in Nairobi, the culmination of an entire week of performances by top jazz ensembles from around the world.

Branford Marsalis. Photo: www.musicrising.tulane.edu

There is a truly global appeal to this year’s festival: one of the best-known figures of modern jazz and classical music from the US, a British jazz fusion band, an Israeli duo, two Italian maestros, a Belgian pianist and composer, a Nigerian guitarist and two Kenyan jazz bands.

The name Marsalis has been synonymous with jazz in the US for more than 60 years, thanks to the legendary pianist and music teacher Ellis Marsalis and his four musician sons, Branford, Wynton, Delfeayo and Jason. Branford, who will perform at the Kenyan event, is the oldest in the family. He has been playing the saxophone since his teenage years and formed his own quartet in 1986. This native of New Orleans, the birthplace of jazz, is one of the major figures of jazz and classical music with three Grammy Awards and a host of collaborations with other greats like Herbie Hancock, Miles Davis and Dizzy Gillespie.

Branford Marsalis also plays with leading symphony orchestras including the New York Philharmonic and served as Creative Director for the Cincinnati Symphony Orchestra during the 2012-13 concert season. Just like his father, he too lays great emphasis on music education and has taught at universities across the US since 1996. The University of North Carolina awarded him an Honorary Doctorate of Music Degree in 2012. The Branford Marsalis Quartet is the headline act at this year’s Safaricom Jazz Festival.

Two Italian performers, violinist Francesco D’Orazio and pianist Giampaolo Nuti, will perform at the Michael Joseph Centre in Nairobi at the Michael Joseph Centre on Monday 15 February at 7.30pm. D’Orazio has a large repertoire of music from his days as violinist of the L’Astree Ensemble in Turin, Italy, to his own classical, romantic and contemporary pieces. He has appeared at the biggest concert venues in London, New York, Buenos Aires, Venice and Istanbul. Among the ensembles that he has performed include the Shanghai Philharmonic Orchestra, Turin Philharmonic Orchestra, the Sicilian Orchestra and Orchestra of Madrid.

Pianist Giampaolo Nuti is a teacher and performer and has appeared widely around the world in recitals and in various chamber ensembles. He has performed concertos ranging from music by composers like Bach, Haydn, Mozart, Beethoven, Chopin, Tchaikovsky and Liszt. This native of Florence has also recorded various albums including the complete works of the Russian composer Alfred Schnittke.

The Belgian pianist and composer Jef Neve and his Trio will also be in Kenya for the Safaricom Jazz Festival and for the Belgian Week in Nairobi from 17 to 21 February. Neve has played with jazz bands, classical ensembles, pop bands and as a soloist with the Flemish Philharmonic Orchestra, among others. His first piano concerto premiered in May 2009 with the Brussels Philharmonic, while his second concerto was first performed in 2012. Neve has also composed scores for Belgian film and TV soundtracks, documentaries and theatre productions. Since 2008, his career has flourished on the international stage as a solo performer and with his group. They have performed at jazz festivals in major cities in the world, from Paris to Montreal, London to Rabat. Jef Neve returns to Kenya for the first time since he performed in 2013.

Sons of Kemet is a British jazz quartet led by saxophonist Shabaka Hutchings together with two drummers, Seb Rochford and Tom Skinner, and tuba player Theon Cross. The band takes its name from a Nubian king who reigned over ancient Egypt. They bring an eclectic style that combines jazz, rock, Caribbean calypso and North African influences. The Sons of Kemet have won a host of awards, including Best Jazz Act at the MOBO (Music of Black Origin) Awards in 2013 and Jazz FM Instrumentalist of the Year Award in 2015. The group’s second and latest album, Lest We Forget What We Came Here To Do, was released in 2015. For the past month, Sons of Kemet has been on tour in South Africa, performing alongside musicians like Kyle Shepherd in Johannesburg and Cape Town.

The other acts appearing at this year’s Safaricom Jazz Festival are two Israeli performers, cellist Maya Belsitzman and drummer Matan Ephrat, as well as the Nigerian guitarist Kunle Ayo, who won many fans when he last performed in Kenya in 2014. The local musicians’ fraternity will be represented by two bands, AfroSync and Different Faces led by Edward Parseen.

Tickets for the festival that takes place on 21 February are on sale for Sh1000 at Safaricom Shops or via M-Ticketing 1511. All proceeds from the event will once again benefit the Ghetto Classics, a music training programme for the youth in Korogocho, Nairobi.


Originally published on 11 February 2016 in Business Daily.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media