NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenyan gospel rapper: Our Europe tour is not state-sponsored

17 Aug 2018 - 12:10

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Kenyan gospel rapper Eko Dydda has denied claims that the government, through the Ministry of Sports and Heritage, sponsored 46 gospel and traditional artists to go on a 10-day European tour.

Eko Dydda is among the 46 artists who left for Europe yesterday.

The rapper left the country yesterday alongside Gloria Muliro, Janet Otieno, Pastor Timothy Kitui, Anastacia Mukabwa, Kayamba Africa, Keep It Real and I Am Blessed, among others.

The musicians will perform in town halls and open-air concerts in Germany, Sweden, France and Switzerland under the collective tag Cultural and Gospel Music of Kenya (CGMK).

Eko Dydda's remarks come after the Atheists In Kenya (AIK) association this week released a statement threatening to petition Parliament to probe the ministry over the misappropriation of 23 million Kenyan shillings ($ 228 000) of taxpayers' money on grounds that the tour only favoured Christians.

“By sponsoring 46 Christian gospel musicians to tour and excluding artists from other faiths, the state has given undue privilege to Christians and discriminated other religious identities. This flies in the face of Article 27,” the statement, signed by AIK president Harrison Mumia, reads.

Article 27 of the Kenyan Constitution states that “the state shall not discriminate directly or indirectly against any person on any ground, including race, sex, pregnancy, marital status, health status, ethnic or social origin, colour, age, disability, religion, conscience, belief, culture, dress, language or birth”.

Details about the tour surfaced on Tuesday in a Nairobi News article with the headline Gospel artistes to fly out for state-sponsored European tour.

Speaking to Music In Africa before his departure, Eko Dydda said the article's headline was inaccurate.

“As a CGMK member I would like to make it known that we have not been sponsored by the government. We tried bringing them on board but they told us at the last minute that they had no funds. They only gave us T-shirts," he said.

“This actually disorganised the schedule of our trip because we were expected to perform in Dortmund, Germany, today. Our tour has been sponsored by Buraje International Company, so the public should not be misled into believing that the government has given us financial support."

The rapper said the principal secretary of culture and heritage, Josephta Mukobe, endorsed the group on Monday because the tour would promote Kenya as a tourist destination.

Eko Dydda also supports the AIK's right to question the financing of the tour. “If someone was given money then there should be proof. It is bad for the public, who are also our fans, to assume that we are pocketing their money, especially if we end up doing something substandard or not performing in all the said places.

“Apart from spreading gospel music, some of our members will stage our traditional music and dances. We will also display food and educate the locals on our cultural beliefs.”

The rapper said Mukobe's endorsement may have played a part in the creation of the scandal.

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