NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya’s Rash Band to release debut album ‘Only A Few Survivors’

20 Sep 2016 - 06:44

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The rock music scene in Kenya may not be as vibrant as one would have hoped. Nevertheless, there are a few bands keeping the genre alive: Rash Band, Murfy's fLaw, Last Year’s Tragedy and Parking Lot Grass are some of the rock bands in Kenya.

Members of Rash Band. Photo courtesy of Rash Band.

Rash Band emerged on the music scene in 2013 and are focused on elevating the stature of Kenyan rock music.

As a continuation of their project, the five-piece band will on 24 September release their debut album Only A Few Survivors at the Alliance Francaise, Nairobi. The 10-track album addresses a host of issues affecting the Kenyan society. Social injustice, unemployment and corruption among them.

"Despite social injustice, tribalism and poverty, only a few survivors haven't bowed down to the system," a statement by the band says. According to the band the occasion of the launch of the album is a moment for music fans to come together to advocate for a better tomorrow.

The title “Only a few Survivors” is taken from the album's lead single ‘Sons of Robot’, a song about how technology has taken over the lives of people and minimalized face to face interaction. "We are all stuck in the virtual world and so many things are going wrong because we no longer value personal interaction," says the band's drummer Samuel Gakungu. "While we embrace technology for its many benefits it has brought to the lives of people, through this song we want to urge people to value the aspect of face to face interaction."

Other songs on the album are 'Usiku Mbaya' ( A Bad night), ‘Msafiri’ (traveller), ‘A Night in the Rock Bar’, ‘Dream Chaser’, ‘Let it Be Rock’, ‘Beer Party’, ‘Animal Man’, ‘Darkness and Witchcraft’ and 'Pasala Bien' (Have a good time).

Rash Band was formed in early 2013 when Maximiliano Filardi (Max) met with Abed Kariuki (Abedi) at the University and both realized they shared the same passion for rock music. Max’s brother Sebastian Filardi (Sebas) later joined the band for some time. Much later the other members Jonas Mwendwa (bassist), Samuel Warui (Sam) the band's vocalist and Gakungu joined.

Perhaps because rock music isn't well received in Kenya, the band is focused on creating music that will cross both the national and the east African border and appeal to the international rock scene. Recently, the band played at the Nyege Nyege International Music Festival in Uganda. They have also played at the Rift Valley Festival in Kenya in 2014.

With the release of the album, the band hopes that their music will reach more people and that the album will enable them break into new territories. Rash Band is optimistic that it is just a matter of time before rock music is fully accepted in the Kenyan music domain.

Only A Few Survivors will be available for sale during the launch at KES 300 (about $ 2.96) and available at select shops at KES. 500 ($4.94). Advance tickets to the launch are KES 400 ($3.95) and at the door KES 700 ($6.91). For more information visit the Rash Band Facebook Page.



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