NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya’s Sarabi to perform at WOMEX in Hungary

22 Jul 2015 - 08:30

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Fresh from Roskilde festival in Denmark, Kenyan band Sarabi is part of the official selection at the World Music Expo (WOMEX) showcase, the leading networking platform for the world music industry. The 21st edition of WOMEX will take place in Budapest, Hungary, from 21 to 25 October. The annual five-day event comprises a trade fair, showcase festival, conference and film programme, as well as festive opening and award ceremonies. 

Sarabi Band Photo:www.africaspeaks4africa.org

Comprising of Isabella Were, Peter Mbau, Harun Waceke, Adam Mwadama, Bernard Oduor, Anthony Kimangu, John Maluni and frontman Nelson Mandela Akello, Sarabi was formed in 2005, while they were still in their early teens. Their music, made up of traditional Kenyan rhythms, benga and a blend of Western sounds, has proven popular to fans of Afro-fusion music.

Sarabi has steadily grown their fan base across East Africa with performances at major festivals in Uganda and Kenya. They started 2015 at East Africa’s biggest festival, Sauti za Busara in Zanzibar, and Selam festival in Ethiopia. Now they are making in-roads in Europe with performances at Africa Oyé) in the UK in June, the recently concluded Roskilde festival in Denmark and now WOMEX.

The WOMEX Showcase Festival shines the spotlight on more than 60 acts from around the world each year, with a programme that celebrates musical traditions and their most cutting-edge adaptations from across the global music community. Following on from the initial announcement of artists in June, the line-up includes numerous acts from all over the world. Selected by the WOMEX jury, the artists represent a number of styles, including jazz, electronica, blues, traditional pipa playing, Colombian fanfare, Yemenite folk, Indian classical music and French psychedelic punk.

Besides Sarabi, other African acts showcasing their talents at WOMEX this year will be Pierre Kwenders (DRC/Canada) Vaudou Game (Togo/France), Blick Bassy (Cameroon/France)), Mamar Kassey (Niger) Tarek Abdallah and Adel Shams El-Din (Egypt/France), and Ghanaian legend Pat Thomas and his Kwashibu Area Band.

Artists from further afield include A-Wa (Israel), Dom Flemons (USA), Germán López (Spain), Karolina Cicha and Bart Pałyga (Poland), Martin Lubenov's Jazzta Prasta (Bulgaria/Austria/Italy), Rancho Aparte Chirimia (Colombia), Tamer Abu Ghazaleh (Palestine), Tritha Electric (India/France), Wu Man (China/USA) and Zoufris Maracas (France).

Being the first time that WOMEX takes place in Eastern Europe, the festival organizers say that the event has registered a 10 percent rise in registration numbers in comparison to the same time last year, when it was held in Spain.

A representative of the Independent Music Exporters South Africa (IMEXSA) said this of the annual expo: "Bringing together professionals from the worlds of folk, roots, ethnic and traditional music in an extraordinary five-day event, WOMEX remains a key highlight on the global music scene."

Announcements about artists performing on this year's regional stage, the offWOMEX programme and the DJ Summit will be announced soon. For more information about the festival programme, check out the WOMEX website.

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