NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

‘Lyrical Revolution’

Killa Ace returns to Gambia with ‘Lyrical Revolution’

28 Mar 2017 - 16:49

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Killa Ace, Gambian rapper has release his second album entitled “Lyrical Revolution” comprise of twenty three tracks.

Killa Ace, right, has returned from exile. Photo: Stone Circle

The album will be launched on 1 April, with a musical event dubbed “Killa Ace Comeback Show” to attract artists home and abroad.

He returned to the Gambia last week after spending a year and nine months in exile in neighboring Senegal as a result of a song critical of the past government.

The song’s message is thus: ‘Ku Boka C Geta G, Naan C Meow Mi’ (If you are part of the herd (of cattle), you will drink milk) and ‘Ku Boka C Deka Bi, Warr Nga Am Baat Si Rewmi’ (If you are part of the country, you should have a voice in the country).

Produced by Harley Leigh, the song tries to address issues of freedom of expression, injustice, repression, economic hardship and purported democratic failings in The Gambia during former President Yahya Jammeh regime.

It is recorded, mixed and mastered at Alien Zik Studios in Dakar, and received 30 000 plays on SoundCloud in less than 48 hours.

He fled to Senegal with his family because of constant death threats he was receiving from men associated with the then feared and notorious National Intelligence Agency. The new album shows how Ace lived in exiled in Dakar and how Gambians were going through a tough time under former President Yahya Jammeh.

Killa Ace told journalists that the album is revolution action for people to have a clear mindset by mapping out the way forward for the country.

“Because regime change without attitudinal change is meaningless, there is need for youths to know their rights and responsibilities by holding the leaders accountable towards the betterment of the country,” Ace said.

“I feel delighted and this is what we have been fighting for. Now we have to fight what I called ‘Jammehism’, to change the attitudes and the way of thinking left by Jammeh.” It can be recalled that Lucky Dube, South Africa, accepted exile in Jamaica, to help fight apartheid through his reggae music.”

He noted that he never regrets of going to exile and he is ever prepared to speak for the voiceless through music. Ace Killa lamented that life in exile was very tough for him in the first month as he was sleeping on the floor in a room full of mosquitoes.

“I was isolated by my own people because many fear to associated themselves to me, but I believe in a cause keep pushing taking it to another level off late donors came up to help me most of them are Gambians in Diaspora,” he explained.

According to him, he survives on donations from Gambians and non-Gambians across the world.

Gambia music scene

He describes the Gambia music scene as very uninteresting, discouraging but he is going to concentrate on hip-hop to move it to the next level.

“Let all artists humble down as artists to move forward the industry to next level where all stakeholders can benefit,” he said. “Is the same Killa Ace, but I came with different mind to represent the youths in a more mature and positive mindset.”

On 31 March, 2017, he will work on launch his new movement, “Team Gom Sah Bopah” on the topic, “The Responsibility of Artists in Society” to attract activists from both home and abroad.

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