NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

#Kwibuka28: Rwandan musicians release songs to commemorate genocide

12 Apr 2022 - 15:51

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Every 7 April, Rwanda is forced to reckon with what has to be its most painful period as a nation. On this day, the country marks the start of 100 days of remembrance for the victims of the 1994 genocide that took the lives of nearly a million people in just three months.

Cyusa Ibrahim.

Last week was no different as Rwanda observed the 28th commemoration of the genocide, known locally as Kwibuka, with a series of events set to keep the memory of those who perished and to drive the nation on a path of reconciliation and peaceful coexistence.

Over the years, Rwandese artists have used their talent to salve the nation’s wounds and ensure this chapter of history is never repeated.

This year’s commemoration has seen the release of songs by many of the country’s young musicians, who have lent their voices to the rallying call for remembrance, unity and renewal.

Here’s a look at some of the songs released this month to mark #Kwibuka28.

Sinarindiho by Sage Rwema Ineza

At just 10 years old, Sage Rwema Ineza should be enjoying the bliss of childhood, but having learnt about the genocide, he feels it is the duty of adults to educate the younger generation about it in his song ‘Sinarindiho’. “I was not yet born, but history goes nowhere. Dear parents, we share the sorrow and heartbreak with you though we didn’t see what you saw,’’ Ineza sings. Ineza says probing the past can reopen unhealed wounds but his country should be strong to revisit history so that it does not repeat itself.

Amarira Ndira by Jeanne d’Arc Giramata

Another young artist, 17-year-old Jeanne d’Arc Giramata, released ‘Amarira Ndira’, which is laced with moving messages to all Rwandans, especially the survivors of the genocide. “As a young girl, it was not easy,” Giramata told The New Times. “I wanted to deliver a message and to commiserate with all Rwandans in this tough time. Let’s be strong together and strive for self-reliance, work hard and make our loved ones proud.”

Tuguhoze Rwanda by Limu Floduard Twizeyimana

On 5 April, singer Limu Floduard Twizeyimana released ‘Tuguhoze Rwanda’, which calls for compassion and advocates for moving forward as one nation.

Ngire Nte by Jados Sengabo ft. Cecile Kayirebwa

This song captures the sorrow of genocide survivors with a prayer that the country does not descend into the same madness again.

Wa Munsi Wageze by Cyusa Ibrahim

This song speaks of a father telling his young children about Rwanda’s history and asking them to never stop remembering.

Igihango by Marcel Ntazinda and others

‘Igihango’ by Marcel Ntazinda is an all-star song featuring Mariya Yohana, Dieudonné Munyanshoza, Eric Senderi, Jean de Dieu Rwamihare, Grace Mukankusi, Ernest Ndayishimiye, Françoise Uwumuliza, Jean Marie Muyango, Aline Gahongayire, Eric Rukundo and Suzanne Nyiranyamibwa. The song is about the keeping promises made to the people lost in 1994.

Rusatira Turibuka by Dieudonné Munyanshozare

‘Rusatira Turibuka’ recalls the some of the names of the people who were killed during the genocide.

Impore Mawe by Ishusho ft. All Stars

‘Impore Mawe’ by Ishusho featuring Mariya Yohana, Junior Rumaga, Emerance Bwiza, Serge Iyamuremye, Alfred Kwizera, Eric Mucyo, producer Ayoo Rash, producer Li John, Chris Hat and Kenny Mirasano was released on 7 April and conveys a message of hope that Rwanda will remain safe, and that all the tears will be wiped away.

Umucyo by Pleasant and Precious

‘Umucyo’, meaning ‘light’, was released on 7 April and is a prayer calling for God’s divine comfort and courage on behalf of all the people mourning the loss of their loved ones.

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