NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Lady Zamar releases My Heritage in Music playlist

11 Sep 2018 - 09:01

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In celebration of South Africa's Heritage Month, popular music platform Deezer has teamed up with Mzansi singer Lady Zamar to release a curated playlist entitled My Heritage in Music. The playlist takes listeners on a journey of Lady Zamar’s musical heritage as she shares some of her special music moments. With songs from Dolly Parton to Lucky Dube, the playlist offers a variety of music for listeners to enjoy.

South African singer Lady Zamar. Photo: Facebook

South Africa is an absolute melting pot of culture and traditions, but the one thing we all have in common is our deep love of music. "Music is the only thing that can really change a person from the inside," Lady Zamar says. With a music catalogue including hits such as ‘Collide’, ‘Love Is Blind’ and ‘Criminal’, the songstress has fast become a national treasure.

What does music heritage mean to you and what role has music played in your heritage?

LADY ZAMAR: Music heritage is the history that makes up who I am and the teams that have made up my life. I have always been a person who loves playing music. For every emotion, every time, and every memory there is a song that attached to that, that has helped me grow as a person and deal with things. So, music has played a really big part in making sure I am where I am.

What is your first significant music memory?

It has to be the first time I sang in church. I was about 11 years old. My little sister and I remember I was so scared in front of people. At that time it looked like a really really big crowd and that definitely was the most significant memory I had as a kid.

Are there any specific people in your family that you can attribute your love for music to?

My entire family. My dad absolutely loved singing and being our vocal coach and tutor. My mum loved family worship and whenever she had those, she would have us singing hymn notes and my dad was very particular about how you would sing. He would always put us in musicals and always insisted that we watch musical shows.

I remember watching The Phantom of the Opera. It was a three-hour show and I was moved beyond. My little sister helped groom me; she groomed me a lot. Till this point she still continues and contributes a lot to my music. My older sister and I used to sing together in church. My little brother is a producer, so yeah, basically the entire family.

What artists or songs are ingrained in your upbringing?

'Boulevard of Broken Dreams' it is a song by Smokie. My dad used to sing it all the time and there is also a song by Celine Dion, 'I Drove All Night'. My dad is a bit of an unknown man. He travelled a lot so whenever he travelled, driving for so many hours, it would always be something he would play. 'I drove all night to get to you'. As a child I knew, when that song goes on we were preparing for a very long trip. Those songs are really ingrained. I think there was also a lot of Boney M, Lucky Dube, Brenda Fassie, Enrique Iglesias. For me there was a lot of Dolly Parton and Jim Reeves as well ingrained in my past and upbringing.

What power do you believe music has to affect change?

Music is the only thing that can really change a person from the inside. It is also important to watch what you listen to and as a person making music, I make sure that the things I put out there are positive things that will help people instead of making them feel worse about their lives. Music helps you without you realising it; music has the power to make you happy or to elevate a bad mood. Music also is something that you can attach to a memory and a person.

If you could go back in time and watch any concert, who would you go to see?

I would go see Adele. I think she was and is amazing till today, of course because she is so young still. So yes, if I could watch her I would. But if we talk about the past before my time, I think I would go see Tina Turner and Michael Jackson. They were amazing musicians and performers.

How does a typical family gathering look for you?

It is always very, very strange when I meet with my family. Half of the time I feel like I am discovering new members of the family, re-establishing old connections. My entire family loves talking. When you're around them it always feels like there is a war, but actually it is just a lot of love, people shouting, people discussing and laughing the whole time.

What foods are close to home and what tracks will the fam be fighting over?

Foods close to home would be pap, spinach, fish and chicken. Those are things that my family absolutely love, and there is this weird thing that started recently: garlic bread. There has to be a garlic loaf somewhere. So those are foods that are really close. I personally love tea and I feel like tea is the one thing in our family that we all have in common.

These days they play a lot of gospel so those are the kind of songs we would be listening to. I think music has changed within our family. At one point we used to listen to a lot of blues, soul, reggae and country but now it’s just a lot of gospel.

Listen to Lady Zamar My Heritage in Music playlist on Deezer.

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