NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Lekompo goes mainstream as Metro FM Music Awards debut new category  

Collins Matsepe By Collins Matsepe

12 Mar 2026 - 13:42

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The Metro FM Music Awards will mark a milestone in 2026 with the introduction of a Best Lekompo category, signalling growing recognition for one of South Africa’s fastest-rising genres.

Shandesh.

The new category was announced during the nominees’ party held at The Forum on 26 February. Speaking at the event, Nada Wotshela, group executive at Metro FM, revealed that the awards would also introduce a Best Maskandi category.

“Maskandi and Lekompo are not just genres, they are cultural movements that have shaped the soundscape of our nation,” Wotshela said.

For lekompo, the recognition marks a significant step into the mainstream. The high-energy style emerged from farmworker communities in Limpopo and has steadily gained popularity across South Africa. The genre’s name reclaims the term “makompo”, once used as a slur to stereotype people living in overcrowded farming settlements.

Musically, lekompo is characterised by rapid tempos ranging from around 125 to 135 beats per minute, typically faster than amapiano. Its sound draws on everyday experiences from village life, taverns and taxi ranks, combining energetic rhythms with playful storytelling.

The main awards ceremony will take place at the Durban International Convention Centre on 25 April 2026. Public voting for the awards is currently open on Metro FM’s website. The addition of the Best Lekompo category reflects the genre’s rapid rise from regional dance floors to national playlists, signalling a broader shift in how South African music awards recognise emerging grassroots sounds.

Below are the five tracks that have been shortlisted for the inaugural award, reflecting the genre’s growing diversity and reach:

‘Ngwanaka’ – Janesh & Hitboss

A reflective track centred on a mother’s enduring faith in her child, supported by mellow log drums and warm chords. Since its release in April 2025, the song has accumulated more than eight million streams. Janesh also appears on another nominee, ‘Leskandi 2.0’.

‘Wa Inama’ – Kharishma, DJ Angelo, Buddy Sax & DJ Janisto

Built around humour and social observation, the track teases the friend who never buys drinks but is always ready to enjoy them. Kharishma has accumulated more than 76 million streams across platforms and is also nominated for Best New Artist.

‘Sdudla or Slender’ – Shandesh and Mvzzle

This body-positive anthem celebrates self-acceptance with witty lyrics about fluctuating body sizes. The track has surpassed 80 million streams. At 22, Shandesh leads the nominations list with six nods, including Best Female Artist, Artist of the Year and Song of the Year.

‘Rato Laka’ – Shebeshxt, Naqua SA, Zee Nxumalo & Slidoo Man

Released in August 2025, the song won Song of the Year on Thobela FM after receiving more than 4 500 listener votes. Shebeshxt became the first artist to win a major Song of the Year title while incarcerated. Featured singer Zee Nxumalo received eight nominations, including Best Female Artist.

‘Leskandi 2.0’ – Mvzzle, MaWhoo, Natiey Lepaka & Janesh

The track blends lekompo energy with amapiano grooves and Afro-house rhythms. Producer Mvzzle is known for his work on Umlilo by DJ Zinhle and the hit ‘Sdudla or Slender’. The collaboration also features MaWhoo, who has secured seven nominations.

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