NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Knowledge

Live music in Egypt

08 Nov 2021 - 09:15

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Live music is an integral part of most cultures and is the thread that binds societies and communities together. In Egypt, it is no different; however, the industrialisation of live music at different levels is still very much a work in progress. Despite its potential and the number of promising talent in search of opportunities to perform, as well as established artists in need of events and venues, the infrastructure of the live music arena in Egypt is grossly underdeveloped.  

Street style mahraganat duo El Sawareekh.

The genres of music that monopolise the live music scene in Egypt are constantly changing significantly in the non-mainstream sector. A few decades ago, rock music and metal were the dominant sounds on the independent front, more recently, it has softened into indie/alternative rock, fusion, mahraganat (electro-chaabi) and trap/hip-hop. Cover bands are also very prominent, especially at venues that provide general entertainment and at wedding and function events.

Types of live music performances in Egypt

The current live music scene in Egypt can be split up into the following categories; live concerts, general entertainment, weddings and function events, as well as street style mahraganat. All these types are performed by both independent and mainstream artists/bands.

Live concerts

These are what I would label a ticketed event where the audience’s sole purpose for attending is to watch the band. These types of live performances usually take place in cultural venues like the Cairo Opera House, Sawy Culture Wheel, Makan, Darb 1718, Zamalek Theatre, Jesuit Theatre, Biblioteca Alexandrina, Tahrir Culture Centre or purpose-built stages and arenas set up in open spaces like by the pyramids or empty land plots. These can be seated or standing spaces; some venues are flexible enough to offer both options. Several promoters and event organisers such as CNL Music and Nacelle have recently risen to the scene and have been hosting concerts (solo or multiple artists based) either at existing venues or temporary setups specifically built for the event.

General entertainment

These are performances that are not necessarily the main attraction at a venue. They take place at bars or restaurants where the clientele may not necessarily have come specifically for the line-up but to enjoy a meal, grab a drink, or for a good night out. Venues such as the Cairo Jazz Club, The Tap and Room Art Space all cater to this type of live performance.


Wedding and function events

Wedding and function events are a huge source of income for live performers in Egypt. Cover bands, as well as top-notch, fully established artists, are both often booked to perform. The who’s who of Egyptian society often flex the depth of their pockets through who they have performing at such events.

Street style mahraganat

These live performances are more common in lower socioeconomic districts, and rural cities/towns are Egypt’s version of block parties, usually celebrating a wedding or birthday. Make-shift stages are created, often blocking a road where live performances take place and entertain the neighbourhood. This type of performance is more common within the mahraganat – arguably the most authentic to come out of Egypt. This genre has gained tremendous traction within Egypt [1] despite being fought by the government and musicians’ syndicate who consider its lyrics “offensive and vulgar and their songs unworthy of Egypt’s artistic productions” [2]. Lyrics often use street slang and discuss politics, sex, and the day-to-day life of the youth living in low-income neighbourhoods.

Live Music Venues

Venues that offer live performance opportunities are very few compared to the size of the population of Egypt. Cairo and Alexandria, Egypt’s capital and second-largest city, respectively, both only host a handful of venues where live music is a regular activity on the menu. The general public has a choice between bars, restaurants and cafes such as; the Cairo Jazz Club, The Tap and Room Art Space or Cultural Organisation Venues like the Sawy Culture Wheel, Cairo Opera House, Makan, Darb 1718, Jesuit, Biblioteca Alexandrina, Zamalek Theatre or Tahrir Culture Centre. The first category of venues often have strict door policies or impose entrance fees that inform the type of client to attend their events. The second category of venues is usually more inclusive for their audience and may offer tickets with different price points depending on the type of performance.

Cairo Jazz Club

Cairo Jazz Club is one of the oldest venues on the scene and now boasts two locations in the west side of Cairo (Agouza and Sheikh Zayed districts). The venue offers a daily schedule of entertainment featuring both live acts and DJs. Despite the jazz reference in its name, it caters to a wide selection of genres and theme nights [3].

El Sawy Culture Wheel

With almost two decades of operation under its belt, El Sawy Culture Wheel is a cultural centre that hosts various art forms; theatre, music, dance, workshops, lectures and seminars. It consists of five different spaces; the River Hall, the Wisdom Hall, the Word Hall, El Sakia Garden and The Nile Orchard (El Bostan) located under the 15th May bridge in the central district of Zamalek. El Sawy Culture Wheel, like the Cairo Jazz Club, was often the launching point for many acts in the alternative music scene [4].

Room Art Space & Café

Room Art Space hosts different types of live performances, including live music, film screenings, stand-up comedy and open mic events. The venue caters to central and Eastern Cairo (Garden City and New Cairo districts, respectively). It offers an intimate experience for its clientele, with a table seating similar to a cabaret setting [5].

Cairo Opera House

A government-owned complex falling under the umbrella of the ministry of culture, the Cairo Opera House located in the district of Zamalek is a cultural hub hosting art exhibitions, live music events, theatre, ballet and more. It was inaugurated in 1988 to “promote the arts of music and dance and to preserve and renew traditional Arab music”. Its live music menu caters to all tastes and music genres and hosts both established mainstream artists (classical or contemporary) and well as up-and-coming ones [6].

Bibliotecca Alexandrina [7]

Every summer, the library of Alexandria hosts the International Summer Festival. Currently, in its 19th edition, the two-month-long festival offers an eclectic mix of artists performing in one of Alexandria’s most prestigious stages. The festival also features music workshops, film screenings and theatrical performances [8].


Challenges faced by live musicians

Musicians who perform live in Egypt (local or international acts alike) are required to be members of the musicians’ syndicate [9]. They are also required to secure a permit for every live performance they are to participate in advance, or they risk not being allowed to perform. These permits are often a huge obstacle for artists and event organisers as there is no clear fee scale for how much the permit costs or step by step guide for the process of having it issued. This goes hand in hand with other obstacles that musicians in Egypt face that allow for censorship to thrive within the industry. Many venues require artists to agree not to perform songs with controversial lyrics, especially those that are political, sexual, or may be regarded as offensive.

Remuneration is another issue that live performers in Egypt deal with especially in the independent music scene. Since the number of venues that host live performances is limited, event organisers offer artists very low fees to perform live on stage. Some offer fixed entry prices regardless of the number of attendees, others provide a cut of ticket sales, and some even deduct costs of the backline equipment provided for the band from the musician’s performance fee.

Despite Egypt being the cultural and media hub of the Middle East and North Africa, its live music sector leaves a lot to be desired. As the third-largest population in Africa with over 100m people [10], live music venues in operation are weakly represented across the country. Purpose-built venues are few, often meaning that performance spaces are less ideal for musicians and audience members alike. The live music sector in Egypt has yet to cater for the full potential of its musicians and audience.

Resources and citations:

[1] https://www.bbc.com/culture/article/20210608-the-controversial-street-music-that-wont-be-silenced

[2 https://www.arab-reform.net/publication/the-egyptian-authorities-grip-on-local-culture-the-example-of-mahraganat-music/

[3] https://cairojazzclub.com/about-cjc/

[4] https://culturewheel.com/en/about-us/QVM1NB1gmB/WmR1JgDnBo

[5] https://www.roomart.space/

[6] https://www.cairoopera.org/?lan=En

[7] https://www.bibalex.org/en/default

[8] https://english.ahram.org.eg/NewsContent/5/35/416609/Arts--Culture/Stage--Street/Programme-Bibliotheca-Alexandrina-launches-th-Intl.aspx

[9] https://timep.org/commentary/analysis/music-in-egypt-in-the-last-decade-hit-and-run-with-the-authorities/

[10] https://data.worldbank.org/indicator/SP.POP.TOTL?locations=EG

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