NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

London festival to bring African music into focus

18 Sep 2015 - 15:02

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The second annual Africa On The Square festival will on 10 October bring into focus African music as artists from Ghana, Tanzania and Senegal perform at Trafalgar Square in London, UK. Launched in 2014, the festival proved to be a huge hit, with 20 000 people turning out to enjoy the celebration of African culture. In 2015, Africa On The Square, curated by Open The Gate, looks set to be an even bigger success, with live music, DJs, dancers, food stalls and an African market providing the highlights of the day.

Uk-based Ethiopian band, Krar Collective. Photo: www.worldmusic.co.uk

Among the African acts set to perform at the event are Ghana's Afla Sackey & AfrikBawantu, which was formed in 2007 by Ghanaian vocalist and djembe drummer Afla Sackey. AfrikBawantu is a 10-piece, London-based orchestra that fuses traditional Ghanaian music with sizzling Afrobeat grooves. Complete with fast, animated horn sections and heavy basslines, AfrikBawantu boasts a unique blend of vibrant African rhythms and brings a whole new definition to the Afro-Funk genre. The band released its EP Noko Hewon in 2013 to critical acclaim and has since been nominated in the World Music Network’s charts.

Tanzania's Saidi Kanda and Mvula Mandondo will stage a performance that is a concoction of Tanzanian village roots, urban rumba and Afro-Caribbean influences, blending traditional and modern instruments. Boasting a versatile range of musical styles, Mvula Mandondo pride themselves on blending unique styles and sounds that listeners have never heard before. The group’s 2013 album Ambush was a collaboration between Kanda and musician/producer Edward Shearer. It featured songs written and composed by Kanda and brought to life the traditional music of the Ndengeleko and Manyema people of Central East Africa – a tradition steeped in songs of deep emotion – while also featuring Caribbean, Latin, African and European influences.

London-based Ethiopian collective Krar Collective will serve up a colourful feast of Ethiopian grooves. Led by Temesgen Zeleke, a former student of Ethiojazz legend Mulatu Astatke, Krar Collective will perform a rootsy yet contemporary take on traditional music from Ethiopia, complete with otherworldly sounds and driven by hypnotic rhythms. Their debut album Ethiopia Super Krar stayed true to their sound. It was described as a record “rooted in tradition and soaked with attitude”.

Born in Guinea-Bissau, Tony Dudu an important musical figure in the emerging palop sound for over two decades will together with the Gumbe Jazz provide a great fusion of West African rythms that are laced with Latin Grooves and South African rhythms jazz. In 2007, Dudu moved to the UK with the hope of making new musical connections and two years later, he formed The Gumbe Jazz. Fusing West African rhythms with Latin grooves, South African rhythms and jazz, the collective is sure to make you move.

Senegalese Abdoulaye Samb & Minnjiaraby collective and UK-based Nigerian Afro-beats singer Moelogo are some of the other artists expected to provide African music to the festival-goers.

Organised by the Mayor of London to mark Black History Month (October), the event will be hosted by Esther Alade and Usifu Jalloh (aka the Cowfoot Prince), while Capital XTRA DJ Abrantee will be on the decks. For more information check out the event website or the video below.

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