NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

‘Lost’ Hugh Masekela biography re-published in South Africa

09 Nov 2015 - 10:50

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Hugh Masekela is a hugely talented giant of jazz and world music and a pioneer in sharing the voice and spirit of South Africa with the rest of the world. His autobiography, Still Grazing, shares in rich detail the incredible story of his life, infused with love and loss, sex and drugs, exile and revolution. He survived it all, with wit, passion, abundant talent and wisdom. Still Grazing narrates a magical journey around the world in this epic, music-soaked tale of love, excess, exile and home.

Hugh Masekela. Photo: thejazzinmee.com

First published in the USA in 2004, the initial run of Still Grazing proved so popular that the book was soon sold out and remained elusive to many of his fans, particularly in South Africa. Now, South African publisher Jacana Media has stepped in to publish a new version of the book. A new foreword and afterword to his autobiography will add fresh insights into the life of one of today’s few living world-class artists and rare spirits.

To mark the release, Jacana Media hosted a launch of the new, local edition of the book, Still Grazing: The Musical Journey of Hugh Masekela, co-authored by Hugh Masekela and D Michael Cheers, at African Flavour Books in Vanderbiljpark, south of Johannesburg on Thursday 29 October. No aged 76, Masekela was on hand to talk about his memoirs and his remarkable, one-of-a-kind life.

Masekela’s life began in a South Africa haunted by violence, but redeemed by the consolations of family, music and adventure. As the grip of apartheid tightened, he was driven into exile and embarked on what would become a 30-year pilgrimage around the world. His first stop was New York City, where he was adopted by legends such as Dizzy Gillespie, Miles Davis and Harry Belafonte. Masekela lived through some of the most vital and colourful music scenes of our time: blowing with bebop greats in New York, playing with a young Bob Marley in Jamaica, hanging out with Jimi Hendrix and Sly Stone in the 60s, and getting caught up in the madness of Fela Kuti’s Afrobeat explosion in Lagos.

He loved extravagantly and was married to Miriam Makeba for some time, experimented wildly with drugs and alcohol, and stumbled into adventure after adventure. And through the hit musical Sarafina (which he conceived with Mbongeni Ngema), the Graceland tour he spearheaded with Paul Simon, and his fearless on-the-ground activism, he worked tirelessly to add his voice to the anti-apartheid movement.

When he eventually returned to South Africa in the early 1990s, he at last found the strength to confront the personal demons that had tracked him around the world, and attained a new measure of peace at home.

Unfolding against the backbeat of the most revolutionary musical movements of the last 40 years and one of the most inspiring political transformations of the 20th century, the book offers an utterly engrossing and deeply effecting chronicle of a remarkable, one-of-a-kind life.

In an article published in June 2015 in Books Live after he first signed the deal with Jacana, Masekela explained why the original 2004 edition has ‘disappeared’: “The way it came to South Africa, which is the only country where it went out of print, is because when I was signed to Sony Records, the head of Sony at the time was smart enough to agree to buy a whole consignment from Random House, and I twisted Exclusive Books’ arm to bring it into the country. So they brought in a limited amount, but you can’t find it now anywhere. In the States, they just put it out there, they didn’t do anything else. So it’s one of the world’s biggest secrets outside of South Africa – and in South Africa. But no matter where we go, people ask ‘Where can I buy the book? I’ve tried Amazon, I’ve tried Mississippi, I’ve tried the Nile River… so we’re happy that Jacana elected to release it.”

Masekela went on to say that he hoped his book would stand as an example of the forthrightness needed to turn the country around. “In 1990, when all the apartheid laws were dropped, we were probably one of the most intelligent societies in the world,” he said. “Since then, I think we have become dumbed down, not by freedom itself but by the hype that we are free now.”

“I don’t bite my tongue in this book,” Bra Hugh continued, adding to Jacana MD Bridget Impey: “I hope you have some bail money for me …”

“We’ll sell loads of copies of the book, and use that money,” she joked.

Masekela is currently writing an update to the book, as the original version ended in 2002. However, he explained how a large chunk was recently stolen from a train in Europe. “I had about 56 pages of what I’ve been writing,” he said. “But I just came back yesterday from a European tour, and we were on a train after a concert in Frankfurt, in first class, eight of us, and we were very relaxed – this was a luxury train – but when we got to Paris my suitcase was not there. I got very homesick right away,” he joked. “I lost 56 pages, my expensive pairs of shoes, three of my favourite ties, my lint remover – the things I miss most! So my advice to you is when you travel, don’t use an expensive suitcase. This is what I discovered after 60 years of travelling.”

Esteemed South African poet Mandla Langa said of the book: “Even though Still Grazing, Hugh Masekela’s biography, carries a subtitle that refers to his musical journey, the book is, in a word, the spiritual journey of black South Africans.”

Another notable South African poet, Don Mattera, added: “He lived to put his native South Africa on the front stage, not with a gun but with his trumpet. Singing and playing deep into the heart of apartheid darkness, bringing light and hope, laughter and rebirth, touching lives, giving hope, helping to rebuild the land of his birth, sharing his vision for a better world for the children of tomorrow. Hugh Masekela - a genius of our time.”

South African Nobel Prize laureate Nadine Gordimer, who passed away in July 2014, said of the book: “Music is the soaring theme that carries a rough ride… Hugh Masekela has survived it all, tells it all ardently, ribald and honest, from his admirable perspective of wisdom gained.”

All copies of the first local print run of Still Grazing will include Masekela’s latest CD, Playing @ Work. The title of the book stems from Masekela's breakthrough hit, 'Grazing in the Grass', which reached number 1 on the Billboard Hot 100 charts in the USA in 1968. The song remains one of Masekela's signature tunes, and was performed during the 2010 FIFA World Cup in South Africa - watch the video below.

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