NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Tech

Low-bandwidth mobile streaming app opens up distribution possibilities

04 Feb 2015 - 09:02

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“If content is king, then distribution is queen,” says Pierre van der Hoven, founder and CEO of Tuluntulu, the recently launched low-bandwidth mobile streaming platform.

Graphic: www.mducomics.co.za

One of the main obstacles faced by the creators of content in South Africa is the difficulty they face in getting their content onto a public platform. Television and cinema distribution provide limited options. One of the secrets to the success of the Nigerian film industry, for example, is that it has few or no barriers to content distribution. It has several options in this regard, from straight-to-DVD business models to those that rely on the country’s myriad television platforms, to the growing use of over-the-top streaming. South Africans have far fewer options.

Developing online media could offer a solution but South Africa’s ongoing broadband shortage makes this difficult too. Traditional solutions to this problem consist of various proposals to increase broadband infrastructure – “build bigger highways”. While this is essential, it is also the more expensive and time- consuming option. Content distribution platforms can be more quickly expanded, Van der Hoven says, extending the highways metaphor, by using the infrastructure already in place and just building smaller cars. South Africa may not have an efficient high-bandwidth network just yet but it has fairly abundant coverage of low-bandwidth mobile networks such as EDGE (Enhanced Data rates for GSM Evolution).

Tuluntulu, the system developed by Van der Hoven and his team, makes use of this infrastructure to provide new channels of content distribution in South Africa and the rest of the continent.

The Tuluntulu app, which was launched in June, was developed as an answer to the question of how to distribute content on a congested, low-bandwidth network. At the cost of video and audio quality – not significant considerations on a mobile platform anyway, and certainly not when content is the main consideration – Tuluntulu will provide a place for content creators to broadcast their material to a receptive audience.

As it currently stands, the app costs the end user nothing except for the data used when downloading on a mobile network – on a WiFi network, even this does not apply. The nature of the app and the codec used for the streaming of content means that it uses a minimum of data, making it very cost effective for consumers. In this way, the plan is to build up the number of users to the extent that the platform becomes a viable attraction for advertisers.

The app launched with 10 mobile TV channels, including Al Jazeera, ANN7, and MindSet Learn, as well as several new channels devised by the Tuluntulu team, some offering an Africa focus, others dedicated to niche concerns such as fashion, hunting and adventure sports. Other channels offer comedy and music. The bouquet of channels attached to the app is set to grow.

Van der Hoven says that one of the main benefits of the app, both for consumers and creatives, is that it goes some way towards breaking down barriers to content. Affordable to people on both ends of the spectrum, it offers something like the mobile equivalent to public access television. The channels developed by Tuluntulu will need a flow of new content to feed them and this will open up opportunities for content developers who have not been able to make use of traditional broadcasting methods.

Source: http://www.screenafrica.com/page/news/tv-and-video-production-technology/1644267-Low-bandwidth-mobile-streaming-app-opens-up-distribution-possibilities#.VNHX62c087x

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