NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Major music industry players join forces to combat streaming fraud

16 Jun 2023 - 13:49

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Several digital music companies, including CD Baby, TuneCore, DistroKid, UnitedMasters, Symphonic, EMPIRE, Downtown and Vydia, along with popular digital service providers Spotify and Amazon Music, have joined forces in a historic alliance called Music Fights Fraud.

Music Fights Fraud is a global task force aimed at eradicating streaming fraud.

The move, announced this week, marks the first time all sectors of the music industry have joined together to crack down on streaming fraud worldwide.

Additional companies will be announced in due course.

According to a press statement, members of Music Fights Fraud are strong supporters of artists’ rights who have taken steps within their own companies to tackle fraud. With this task force, they aim to create a better music industry where real artists can succeed.

Streaming abuse, which includes things like fake plays and impersonators, affects all artists, both independent and signed to labels. It’s estimated that this abuse costs the industry hundreds of millions of dollars every year.

The alliance will collaborate with the National Cyber-Forensics and Training Alliance (NCFTA), a non-profit that helps identify and disrupt cybercrime.

“We are proud to combine forces with our colleagues across the industry and build on the fantastic work already developed at Downtown to identify and address abusive streaming behaviour,” Downtown CEO Andrew Bergman said. “Given our deep commitment to empowering creators, we recognise that working with parties outside of our organisation is also an important step in developing a comprehensive plan to strengthen the music ecosystem.”

Spotify’s VP, global head of music product Charlie Hellman, said: “It is critical to the Spotify mission that royalties are paid to legitimate artists for legitimate streams. Artificial streaming is an industry-wide issue, and we are encouraged by the collaboration of this new alliance.”

CD Baby CEO Christine Barnum added: “As streaming has grown and dominated our industry the opportunities for bad actors to take advantage of the fragmentation has grown as well. I am proud for CD Baby to be a founding member of Music Fights Fraud and for us to join forces to build a united and comprehensive solution to ensure all music creators are being compensated, with royalties generated making it to the right hands.”

“As we build the future of our industry, we must ensure fake streaming and abusive streaming do not have a place,” Believe’s founder and CEO, Denis Ladegaillerie, said. “The launch of Music Fights Fraud is an important step towards that goal, and I am proud to join hands with our digital music partners and distributors to ensure we find effective ways to stop fraud streaming, to ultimately bring more fairness and transparency to the music sector.”

On her part, TuneCore CEO Andreea Gleeson noted that streaming fraud hurts legitimate music creators by reducing their earnings. “TuneCore is joining other leading digital distributors and streaming platforms to fight against this fraud and create a fairer streaming landscape for all artists,” she noted.

UnitedMasters General Counsel Shirin Keen noted that her outfit is “working to provide our artists with the tools and education they need to grow their fanbases and own their futures. To do that, we must tackle one of the issues plaguing the industry and reducing the earnings of independent artists, streaming fraud. This alliance represents unity across the industry that will advance and impact all artists, and we’re proud to be a part of it.”

Symphonic founder and CEO Jorge Brea stressed the strength in numbers and the power of collaboration between distributors and DSPs to compile transparent knowledge and take effective action, while EMPIRE’s chief product officer, Stephen White, noted that this industry-wide initiative marks an unprecedented and significant stride forward in protecting the rights of creators.”

Vydia’s VP of rights and content Matthew Skiba said his outfit is “proud to champion this cause, alongside other industry leaders, to create parity amongst artists and labels in the streaming ecosystem.”

Supporting associations, such as the Music Business Association (Music Biz) and the Recording Industry Association of America (RIAA), have applauded the initiative and expressed their commitment to supporting the alliance’s efforts.

Music Fights Fraud is a self-governing association with future membership subject to approval by its members. Parties interested in joining Music Fights Fraud can find more information here.

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