NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Malaika Salatis: My passion burns bright

20 May 2022 - 12:02

cc-img flag-img

Many of us would be hard-pressed to locate Reunion on an atlas. We are not saying it is really your fault, we blame the schools. Luckily for you, this is about to change. We know this because we happen to know Malaika Salatis. Say the name again because, in the coming months, this emerging sensation will transport us there unawares through her music.

Malaika Salatis.

Just to get an idea of what we are talking about, Music In Africa had a one-on-one with this sultry-sounding Indian Ocean islander and discovered why she is about to cook up a musical storm.

But first the introductions. In case you are wondering, Malaika is none other than the dancer whose moves on Diamond Platnumz's 'Jeje' video have been seared into the brains of more than half of the male human species. She has also performed for other top artists such as Katy Perry Macklemore, and Tiwa Savage, and has appeared on TV shows including The Voice. Now you get why she is ready to release music in her own right, don't you?

MUSIC IN AFRICA: Who is Malaika Salatis, as an individual and as an artist?

MALAIKA SALATIS: They are pretty much the same. The individual puts the hard work behind walls and the artist delivers the entertainment. They serve each other. Then, I try to spend as much time as I can with my family because they tend to keep me grounded. It is a very tough industry and you often get driven by your emotions. It doesn’t always come easily to make a move in the entertainment business as a woman, and emotions are not very welcome.

But as I tend to use them a lot to create, I have to push myself away when a difficult situation comes in. If I don’t, you go into a war with a very male-towered industry which gives place to them to believe that you are not strong enough and it is a lost battle in advance. And I'm in search of balance because the point is to stay objective and to raise a voice. It is the role I’d like to keep as an artist. The individual spends her time understanding one situation and the artist gives life to this situation.

When did the music bug bite? At what age did you realise you wanted to be a singer?

I have always dreamt of being a singer. I still have VHS footage of me on stage with a microphone at the age of three. But you know life goes on and you forget what you love. You try to fit into boxes and believe once you’ll find yours, the dream will go away. Then you realise, you still don’t fit in. The passion still burns the same way. But you lose confidence as time goes and your voice weakens a little bit more every day. It feels like a miracle to have jumped over the fence that stopped you all these years.

How has the journey been so far?

A journey full of emotions! It feels like jazz. You don’t know what tomorrow is going to look like. But you have to be ready. It’s a nice trip to be part of when you disregard some of the negative aspects.

Could you name some of your latest releases?

The first and only one: ‘Give It All’

What shapes/inspires your music?

I’m not so sure but I’ll probably say a box. I remember being confronted by a music producer once and he tried to help me figure out who I was as an artist. And I started to give all my influences but they were completely opposite characters to each other. It felt like I had to make a choice and I couldn’t be a version of all of them. Of course, I did not want to make a choice and I needed to work with the right person. With time, I understood it was not really about going in and out of boxes meaning copying their style. But how I was going to create mine, create my own vocal texture and be true to the way I sing disregarding the beat or the music that would accompany me and shape my own style.

What do you hope to achieve as an artist?

I have worked behind walls for a long time in the art industry as a talent. Having the opportunity to put myself forward as an artist comes with the hope of always delivering something sincere and qualitative. Also, I hope for myself to constantly enjoy the work I do in this field.

Who are some of your biggest influences?

Beyoncé is the queen of the entertainment industry. You may like her or not, but she is constant; she shows discipline and hard work. Lauryn Hill for all she has given us; the sincerity of her poetry and her militantism. Also, Cesária Évora. She has inspired me a lot by how her voice, her melody, and her music have passed through time and highlighted Cape Verde.

What role do your Reunion roots play in your music?

I guess as Reunionese, we are still looking for our identity because our history is complex. So, I tend to look at the brightest side. I wanted my music to travel through the territory with an outside point of view, change the lens, and walk away from any frustration we may have. My music producer shares this vision with me and I am very appreciative of this. When we create, he would always bring nicely some of our identity in the production. We care about the sense of pride to be who we are.

How would you describe your music?

I’d say it tries to find its way out. It is a work in progress and a constant search of understanding what I’d like to feel. Harmonies don’t always come to you easily but they will come.

Apart from music, what else are you involved in?

I’m involved in way too many things, and it is not always a good thing. But I’m very passionate. My situations require a lot of my intention when I try to produce and bring something forward. I started to lead a group of dancers on the island. Then I came to realise, that I had to lead them from A to Z through training, understanding rhythm or muscle memories and more. This small part brings me back to my years in video production, graphism, and marketing. So, I started to interest myself more in production. As a creative director, I have jumped into directing. Bit by bit, I’d say this is a whole hub of creativity from the design to its identity. And it doesn’t only concern my career anymore. But how a whole community can move faster together.

What is it like being a dancer for some of music's biggest acts?

It's my vitamin C. I love sharing a stage with someone who has experience in this industry. There is literally someone who allows you to share a moment with him. And it is a beautiful feeling.

Does dancing play a big role in your production?

A massive role! It has allowed me to understand one aspect of art, and slowly brought me more comprehension of the risk you need to take in any type of production.

Future projects?

My album! And maybe some other crazy ideas I’ll be jumping into.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media