NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Malawi’s island music festival

04 Mar 2015 - 16:11

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The Likoma Festival (Li-Fest) on Malawi’s beautiful Likoma island is set to take place on the weekend of 3-5 April. Although Malawi has many festivals, such as Lake of Stars and the Blantyre Arts Festival, Li-Fest is the only festival that to be held on this magnificent island and boasts of treating its revellers to a ship cruise music party.

Photo: www.likomafestival.com

Apart from the ship cruise to the island, patrons will on Saturday 4 April enjoy a boat cruise around Chizumulu Islands and Mozambique, play beach games, race canoes and go sight-seeing. Live music performances will start at 3pm until the morning of Sunday 5 April. From 12pm until 5pm, it will be time for traditional dances. Over 15 local musicians and 4 top DJs have confirmed to perform at the festival and the organisers are also expecting some from RSA, Zambia and Mozambique. Some of the artists already on the bill include: Piksy, Gwamba, Mafo, Martse, Crazy G, Mlaka Maliro, Lucky Stars, Nepman, Daredevils, Barry One, Bucci, Young K and Lulu.

The annual event has moved from being held in summer to Easter each year. This change has been made to offer patrons of the festival more time on the island following the long weekend. The festival has also rebranded from Likoma Sand Festival (Li-Saf) to the Likoma Festival (Li-Fest). This is aimed at promoting tourism to the Island District (and the country in general) while at the same time providing people with an opportunity to learn, earn, enjoy and advance their lives.

Travel Arrangements

We have hired four buses (2 from Blantyre and 2 from Lilongwe) that will leave the two cities between 5-7pm on Thursday 2 April, 2015 for Nkhata Bay. Upon arrival of the last bus, MV Ilala and the new MV Chilembwe will leave for Likoma Island (at around 4am on 3 April 2015). The ships are expected to arrive at the island at around 7:30am. Tickets for those that will use these buses are going at MK45,000 (incl. coach, MV Chilembwe and festival entry fee) and MK35,000 for those who will sail by MV Ilala.

Others are free to drive or arrange own transport to Nkhata Bay. Tickets for this category are going at MK25,000. Unlike many festivals, for Likoma the fun starts as soon as the ship leaves the dock, as there will be a disco on the deck with DJ Trick and Africa the DJ.

Those flying to Likoma from Blantyre or Lilongwe will pay MK15,000 at the Likoma Air Strip.

Likoma Island is about 80km east of Nkhata Bay and motor vessels take 3 hours to reach the island. It is therefore expected that by 8:30am at latest, everyone will be on the Island. For those that observe Good Friday, will have enough time to join the Way of the Cross session at the historical St Peter’s Cathedral, while others will be checking in at camping sites that will be prepared for the event.

The motor vessels are expected to leave the island by 7pm and get to Nkhata Bay by 11pm at the latest. This will ensure that everyone gets back to the city by Monday before 10am.

Don’t forget to bring:

  • Enough cash, as there are no ATMs on the island.
  • Hiking boots
  • Bikinis
  • Waterproof camera
  • A blanket (there will be tents and mattresses) unless you book at a lodge.

More about Likoma

Likoma is an exclave of Malawi situated within Mozambican waters in Lake Malawi. It consists of two main islands, Likoma and Chizumulu. The administrative headquarters is Likoma. The town of Mbamba hosts a busy market and the Anglican Cathedral of St. Peter’s, one of the largest churches in Africa.

Covering a total area of about 21 km², Likoma District is densely populated, with about 16 000 inhabitants dispersed in a dozen settlements, the main one being the town of Likoma. The most represented ethnic groups are the Nyanja people (65%) and the Tonga people (25%), followed by smaller groups of Chewa, Tumbuka and Yao. The islanders have diverse cultural beliefs and traditions, but tolerate each other in a multicultural society. The islanders are also known for their unique dances such as Chioda, Mganda/Malipenga and Mvetserani, which are performed day and night.

The main economic activity is fishing, although agriculture (mainly rice and cassava) is also represented on a small scale. The island is so small that it has only about 10 cars, including army vehicles, an ambulance and the cars of Escom the electricity supplier. The island prides in its unique and preserved beauty, clean environment, good views, friendly people and unique culture. Likoma was listed in Top 10 Best Beaches in Africa by Africa Travel in 2013. These beaches are unspoilt with clear, clean waters. The vegetation has been preserved as grassland with very few wild animals, mostly reptiles, birds, and others. The waters offer some of the best swimming, diving, watersport and fishing experiences. It is also known for its rare and beautiful fish, including colourful Cichlids (known locally as mbuna).

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