NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Malian music documentary to air on BBC Brit

10 Nov 2016 - 09:04

cc-img flag-img

A Malian music documentary tilted They Will Have to Kill Us First: Malian Music in Exile, will air on BBC Brit channel 120 tomorrow Friday, 11 November at 8pm. 

Malian artists

BBC Brit is an entertainment subscription television channel that features factual entertainment programming. The channel is wholly owned and operated by BBC Worldwide.

Following its global release last year, the documentary was also screened by AfriDocs in March this year to celebrate Music Freedom Day in Mali. AfriDocs is an African broadcast best known for airing series of African documentary films.

Selected for the London Film Festival, this documentary tells the compelling story of Jihadists who took control of Northern Mali in 2012. Directed by US producer and director, Johanna Schwartz, the documentary explores a fight by Mali’s musicians who want to keep music alive in their country. It shows the fierce battles between the army and the jihadists.

Produced by Johanna Schwartz, Sarah Mosses, John Schwartz and Kat Amara Korba, the documentary captures life over borders at refugee camps where money and hope are scarce, follows perilous journeys home to war ravaged cities, and for one band, their path to international stardom. With a specially commissioned soundtrack from Mali’s most exciting artists, the documentary draws audiences into the human side of Mali’s conflict, watches events as they unfold and witnesses the impact on Mali’s musical community

The movement imposed one of the strictest interpretations of Sharia law in history. Music, one of the most important forms of communication in Mali, disappeared overnight in 2012 when Islamic extremist groups rose up to capture an area the size of the UK and France combined. The extremists banned music, radio stations were destroyed, instruments burned and Mali's musicians faced torture, even death. Overnight, Malian musicians and some esteemed members of society, were forced into exile where most remain even now.

According to organisers of the documentary, the music ban lasted until January 2013. Music, however, did not return to northern parts of Mali for more than a year after the ban. In some places, music has not yet returned amid fears about the extremist groups still lying in wait. The extremist ban on music has morphed into a self-imposed ban.

“I remember very clearly reading about what was happening. I couldn’t imagine a world without music, especially in a place where music was so vital to everyday life. I began to plan my trip to Mali almost immediately,” wrote Schwartz, documentary's director on their website.

She added, “I am so proud to bring these musician’s stories to the world. They’ve been through hell, and survived to sing about it. Though the conflict in Mali is still far from over, with extremist attacks continuing in the north and south to this day, I have no doubt that these musicians will continue to stand up and fight for their right to sing.”

The situation in Mali forms part of disturbing trend across the globe where extremists are attacking culture, art and freedom with increasing frequency and violence.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media