NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Maxi Priest to join American stars at Ugandan jazz fest

15 Jul 2016 - 10:17

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British reggae star Maxi Priest will headline the ninth annual Nile Gold Jazz Safari, due to take place on 8 October at the Lugogo Cricket Oval in Kampala, Uganda.

British reggae star Maxi Priest will perform in Uganda.

He will join American jazz heavyweights in saxophonist Jackiem Joyner and Lin Rountree, aka 'The Soul-Trumpeter'.

This year's edition moves to a new location, after having been held in previous years at the Kampala Serena Hotel.

Max Alfred Elliott, better known as Maxi Priest, is a British reggae vocalist of Jamaican descent. Known for his R&B-infused reggae, he began his career in the mid-80s with South London reggae sound system Saxon Studio International. His 1988 self-titled album, featuring a cover of Cat Stevens 'Wild World’, provided his international breakthough and paved the way for a string of hits during the 90s. He is one of only two British reggae acts (along with UB40) to have topped the Billboard charts in the US, for 'Close To You' in 1990. His other American hits include 'Set the Night to Music' , a 1991 duet with Robert Flack, and 'That Girl' with Shaggy in 1996. More recently in 2014 he released Easy To Love, featuring the single 'Holiday'.

Jackiem Joyner, also known by the nickname 'Lil Man Soul', is a saxophonist and flute player from Norfolk, Virginia who has worked in contemporary jazz, gospel and world music. Never afraid to challenge his listeners, his latest album Evolve is his first on which he wrote and produced all the material.

Lin Rountree began playing the trumpet in Alexandria, Virginia when he was just 11 years old and frequently attended music development programmes at The Duke Ellington School of the Arts in Washington DC. In 2006 he released his debut album, Groovetree on the independent label BDK Records, which was met with international acclaim. Other subsequent albums include Sumthin Good (2008), Soul-tree: The Soul-Jazz Experience (2011) and most recently Soulfunky (2015) on Trippin' N Rhythm Records.

According to Nile Gold Jazz Safari founder and CEO Tshaka "Roots" Mayanja, this year's artists were carefully selected to represent jazz in all its forms, dimensions and generations, and to attract both jazz enthusiasts and mainstream music lovers. “The artists we’re bringing together are pushing boundaries to create new, unique approaches that explore the true nature of jazz music,” said Tshaka.

Since its inception in 2008, the Nile Gold Jazz Safari has seen its audiences grow steadily to successfully carve out a space for itself on Uganda's live music scene. The organisers say their decision to relocate from the Kampala Serena Hotel to the Lugogo Cricket Oval is a result of the festival's growing fanbase.

For fans there is more good news as the organisers have also reduced the ticket prices. 'Gold' tickets have been reduced from UGX 200 000 ($59) to UGX 130 000 ($38), while VIP tables have been cut from UGX 3 150 000 ($934) to UGX 2 500 000 ($741).

For more information visit the Nile Gold Jazz Safari Facebook Page.

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