NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Meet some of SA’s youth choirs at WCG 2018

19 Jan 2018 - 11:03

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With about six months before the 10th edition of World Choir Games (WCG) roar into life, preparations for this high-profile event are at an advanced stage with more choirs joining a list of competitors from around the world who will compete in 27 exciting categories. The event, which will be held for the first time on African soil in Pretoria, South Africa, takes place from 4 to 14 July.

Mpumalanga Youth Choir will be singing under the direction of Andre Oosthuizen.

Undoubtedly rated among the world’s leading performing arts occasions, WCG is expected to host more than 400 choirs, with the platform enabling amateur choirs the chance to interact with professional singers and choral groups from different parts of the world.

“We’re making good progress with the World Choir Games preparations,” WCG local director tourism services Christian Grosch told Music In Africa. “The venues for official events, competitions and special concerts have been chosen and the structure of the World Choir Games 2018 is already set.”

Mpumalanga Youth Choir is not new to the international music scene

Named after South Africa’s North-East province, the Mpumalanga Youth Choir will join a host of choirs at the international choral community in Tshwane. Regarded among the top youth choirs in the country, the chorale is a multi-racial group made up of more than 50 members from Emalahleni, Middleburg, Belfast, Bethal and Groblersdal.

Previously known as the Eastern Transvaal Youth Choir, the group was formed in 1981 under the tutelage of music conductor Renette Bouwer. During the years, the choir developed into an international prize-winning choir and currently sings under the direction of Andre Oosthuizen, who took the choir to the 2015 Talent Africa competition in South Africa and the Talent America competition in New York last year.

The choir made its debut European tour to Austria in 1989 followed by another tour at the Advent Competition in Prague (1995) where they were honoured with a first prize and Best Youth Choir accolade. The choir was also awarded a silver medal in the Young Adult Choirs category at the same event in 2004.

Distinguished Linden Choir is ready for the next level

Linden Choir is an esteemed youth choir from Hoërskool Linden, Johannesburg, with a long tradition of charming audiences. Formed in the early 1990s, the ensemble has through its extensive collection of music succeeded in many competitions, both at provincial and national level. At the WCG, the audience should expect music from well-known musicals such as Les Misrables, Afrikaans folk songs and ballads as well as ‘Bohemian Rhapsody’, which are regularly included in their concert programmes.

Comprising 100 members, Linden Choir will lock horns with different choirs in the following categories: Mixed Youth Choirs, Musica Sacra, and Music of Spirit and Faith. The choir, which is in the capable hands of music conductor Duncan Fourie, has won national and provincial awards.

The choir has appeared at most known international platforms. In 2012 and 2007, the choir won gold and silver medals at international choir competitions in Preveza, Greece, and Prague, Czech Republic.

Kearsney College Choir is back at the WCG

Kearsney College Choir belongs to a private boarding school in Botha’s Hill, a small town in KwaZulu-Natal province. It is among the registered choirs that are billed to perform at WCG and will be joining the WCG for an eighth time.

Led by new music conductor Marshall Lombard, the choir will compete in three categories: Music of Spirit and Faith, Scenic Pop/+Show Choirs and Scenic Folklore. Kearsney Choir will use its popularity to wow choral lovers at the much-awaited choral music gathering. Boasting an impressive record on the world stage, the choir’s participation at various platforms has earned it international recognition for the energy, passion and precision of its dynamic performances.

With its signature blend of classical, pop and indigenous music, Kearsney Choir has built a large international following of appreciative supporters. The choir has a long list of accolades that include 13 gold medals and six silver medals at the 2000 and 2014 WCG respectively. The seventh edition of the WCG in Cincinnati saw the choir crowned World Champions for a third time. They also won the Scenic Pop and Champion categories as well as gold medals for the Folklore and Young Male Choir competitions at the 2014 edition of the WCG in Latvia.

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