NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Mi Casa 

Mi Casa: Don’t do music for fame’s sake

27 Aug 2020 - 11:05

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We Made It is the fifth album by award-winning South African Afro-house group Mi Casa. The 13-track album is among the reasons the trio is one of the best music outfits and exports in South Africa. The album chronicles some of the challenges J'Something (vocalist and guitarist), Dr. Duda (producer) and Mo-T (trumpeter) have faced since the formation of the band in 2011.

Mi Casa.

One of group’s recent achievements was signing a record deal with Germany’s Afroforce1 Records, a subsidiary of Universal Music Group (UMG) Africa. The new album, which hit the stores after Mi Casa’s signing, is a testimony that the group can successfully fuse their sound with artists from other genres. The album features such artists as rappers AKA, Rouge and Stilo Magolide as well as dance-electronic duo Jay Em. Some of the featured songs on the album include ‘One Day’, ‘Home Alone’, ‘Sober’, ‘Obsessed’, ‘How Could You’ and ‘Sweet Wine’.

Music In Africa caught up with J'Something and spoke about the new album, its production, challenges and some of the group’s achievements.

MUSIC IN AFRICA: What message are you sending with the new album?

J'Something: We Made It is a story of three brothers that fought through hardships, they were patient with one another, sacrificed for one another, and didn’t give up on their shared vision. We Made It is shared between a sense of relief as well as a sense of pride. The message for everybody is that if you fight for the things you love, if you whether the storms, if you hold on tight, the fruits on the other side are really sweet. Don’t give up! If you are breathing, then you too have made it. We have made it this far because of so many people and this album is a testament to all of that.

Who wrote and produced the album?

Mi Casa has always worked internally for our music, it’s a personal exercise and an artistic expression. This album was different though, we allowed some very special people into our sacred space and we are so thankful we did. We co-wrote this project with a few friends Jay Em – two talented producers from Port Elizabeth who were integral in the co-production of this album. Then periodically we linked with certain other friends like V the Vowel, Kgabo Legora, Torch Everblazing, Tshepo who worked with Mo-T on the horn arrangements, as well as Ray on guitars for ‘How Could You’. It was a really special team and an incredible experience.

Take us through the writing and production process of the album?

We hid ourselves away in the beautiful mountains in Mpumalanga, in an incredible home, where we set up our studio for roughly three to four months. We just made music nonstop. Matter of fact, for this album we had over 30 songs to choose from. Crazy right? The whole experience was almost unreal to be honest, the creative flow, the freedom for everybody to have a say, and just to be out there with our own private chef, Chef Denzel, was a moment we will never forget.

Take us through some of the challenges you had as a band and how you have managed to overcome them?

Well, it really is issues we can all relate too. The reason why being in a band is hard is because its ultimately a relationship. Now this is a global reality, relationships are hard. We are three guys that really love music, we love performing, we love creating, and we love learning. Being in a band, the three of us are not aggressive people, we believe in love and approaching people with respect, so any issues we had, have been sorted out without real issues. No drama here unfortunately, just a bit of fatigue which is normal, and in order to get out of that comfort zone, one needs to dig really deep. That’s what we did, and that’s why I believe we are where we at, there are blessings in endurance and forgiveness, etc.

What message can you send to young artists and emerging bands on how to remain resolute as a band?

Don’t do music for fame’s sake, do it because you believe it has power to change the world and lift society. All the other rubbish comes and goes and actually adds no value to you as a human being.

What makes Mi Casa tick and what are some of your major achievements so far?

Achievements are many, but in all honesty, in my opinion what I’m proud of as a member of this band, is how we have done it all with grace, with humility, and with love. That for me has to be the biggest achievement. With no hype from our peers and most certainly no negativity, we have managed to stay around because of music and nothing else.

As a band, what is it that you are keen to achieve and are still working on?

Keep trying to create music that can speak to people and hopefully be able to stretch out the message we believe we have in our music to the world.

We Made It is available for download and streaming here.

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