NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

MIAConnects deadline extended – apply now for mobility support

22 Aug 2017 - 11:25

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Musicians in Sudan, South Sudan, Somalia, Nigeria (Northern), Chad, Mali and Niger now have until Sunday, 10 September 2017 to apply for funding support from the Music In Africa Connects Project.

Malian band Songhoy Blues.

The Music In Africa Foundation (MIAF) is pleased to invite musicians to apply for touring support as part of its recently launched Music In Africa Connects – Artist Mobility Programme. The mobility programme is made possible with support from the Siemens Foundation and the German Federal Foreign Office.

The programme supports musicians in seven African countries affected by conflict, to undertake live music performances (tours) and collaborations, provided that such activities do not compromise the safety of the participants. Participating countries are Sudan, South Sudan, Somalia, Nigeria (Northern), Chad, Mali and Niger.

The mobility programme offers support for three types of tours:

  • National (where musicians tour locally in their own countries).
  • Regionally (across Africa).
  • Internationally (Germany).

This call is for NATIONAL TOURS only.

The deadline for applications has been extended to 10 September 2017 (midnight CAT).

1. Eligibility criteria

This opportunity is open to all musicians from the participating countries such as solo musicians, bands etc. (the beneficiary).

  • The participating countries for this call are Sudan, South Sudan, Somalia, Nigeria (Northern), Chad, Mali and Niger;
  • The bulk of the activities must take place outside the city/location where the artist or band is based and must not go beyond the country;
  • Touring projects applied for must start from 15 October 2017 onwards and must be completed by 15 December 2017;
  • Budgets submitted must adhere to stipulations as indicated in the call;
  • The artist or band must have a valid bank account;
  • The artist or band must be based in the eligible countries listed above.
  • All activities must avoid high-risk areas. Applicants must confirm that they have made efforts to ascertain this.

PLEASE NOTE: In exceptional cases, if you are not able to travel outside the city where you are based for safety and security reasons, please provide explanations in the tour summary below.

Who can submit an application?

  • The artist or band should choose one person to make the application on their behalf (the applicant). This can be someone who is part of the band or the solo artist him/herself. You can also choose someone who is not part of the band to represent you. Organisations or companies can also apply on your behalf. The applicant will be responsible for managing and reporting on how the support has been utilised and will be the sole contact person if the grant is approved. More importantly, the applicant must have a good track record and you must trust her/him.
  • The applicant can be an individual, a company or an organisation.
  • The applicant will be directly responsible for the preparation and management of the project (and not just act as an intermediary).
  • The applicant must be over 18 years old. Proof of identification will be required for individuals as well as registration documents for companies and organisations.
  • The applicant must be based in the eligible countries.

2. Types of projects

  • Projects submitted for consideration must have firm plans for a live music performance outside the city where the artist or band is based.
  • Applicants may visit more than one city and/or perform at more than one venue in each city.
  • Performances at festivals and showcases, etc. are welcome if they are taking place in the same country.
  • The applicant should be able to demonstrate that such performances will develop her/his professional or creative practice;
  • Tour projects that have artistic collaboration components between musicians that lead to live music performances are welcome. 

  • Proof of tour arrangements will be required from the venues where the performances will take place.

3. Common non-eligible projects

  • Recording of albums;
  • Academic research projects;
  • Scholarships and fellowships for studies or training courses;
  • Fundraising events, such as charity galas;
  • Projects supporting political parties or religious faith;
  • Music education projects.

4. Type of support

Financial Support

Amount: Applicants may request up to €2 000.

Financial support stipulations:

  • The amount of €2 000 must not exceed 80% of the total costs of the project.
  • Projects requesting amounts higher than the limits stated above will not be considered.
  • Applicants are encouraged to seek additional funding and sponsorship for their project.
  • Applicants are encouraged to form partnerships with host venues, festivals or music events that will enable them to receive contributions from the venues towards technical costs and door deals, and exempt applicants from paying venue rental costs.

Eligible costs:

  • Travel and transportation costs (maximum €600).
  • Accommodation (maximum of €50 per night, per person).
  • Daily meal allowance (maximum of €20 per day, per person).
  • Technical support: sound, lighting, equipment (maximum €200).
  • Publicity: design, printing, distribution (up to the value of €100).
  • Coordination, administration and management costs (up to the amount of €200).

Non-eligible costs:

  • Performance fees.
  • Hiring of venues and other spaces.
  • Buying assets, such as equipment, computers, software and instruments.
  • General running costs and overheads of the individual or organisation/company.
  • Costs that are already covered by other funding.

Administrative Support

  • Administrative support via email is offered during the application process. Email [email protected]. Additional administrative support will also be offered to successful applicants during the contracted project period.

5. Steps to apply

  • Read the call for applications carefully.
  • Applications will only be done electronically using the form provided by the MIAF. Two application forms are provided – in French and in English.
  • The form will not allow applicants to save and complete later. Before you complete it, make sure you have all the required documents that will need to be attached. Required documents are clearly noted within this call for applications.
  • Create (if you haven’t already) an artist profile on the Music In Africa Artist & Industry section using this link: https://musicinafrica.net/user/register
  • Make sure that your profile is up to date. At least one track will be required. Although not mandatory, it is strongly recommended that your profile has at least one video showing your performance. Additional content like pictures and social media links will be advantageous.
  • You may find your profile already created by a Music In Africa contributor. In that case, you would need to claim it. Once you have control of your profile, make sure to update the information, as this is the profile that the jury will review.

6. Mandatory application accompanying documents

  • Legal identification documentation of the applicant: ID/passport copy (for individuals and organisation representatives); registration documents (for companies);
  • ‍Track record as an active musician: an up-to-date Music In Africa profile URL with an up to date biography and at least one song;
  • ‍Project budget: projected income and expenditure in euro (€);
  • ‍Tour schedule including calendar of activities;
  • ‍Letters from hosts, partners and stakeholders confirming their involvement with the project;
  • Letter from the applicant’s bank – official bank-stamped letter verifying that the applicant has a bank account.

Additional attachments such as CV, press coverage, weblinks, evidence of recognition awards, public appearances, etc. will be accepted as attachments to the application but are not mandatory;

7. Selection Process

Deadline for applications: 10 September (midnight CAT) 2017.

  • Successful applicants will be announced by 20 September 2017.
  • Unsuccessful applicants will also be notified.
  • Only complete applications will be considered.
  • Only applications submitted via the dedicated online form will be considered.
  • Late applications will not be considered.
  • An applicant may submit only one application under this call.
  • Similarly, a project/tour may only be submitted by one individual/organisation
  • Note that a copy of your proposal will not be returned to you.

For transparency purposes, all beneficiary names will be published on www.musicinafrica.net within 30 days after they have been selected.

8. Application forms

You can apply in French or English.

Access the English application form HERE. Access the French application form HERE.

For enquiries and information, email [email protected]

For more information about the Music In Africa Connects project, please visit our website. Follow us on Twitter, like us on Facebook and subscribe to our monthly newsletter.

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Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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