NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Morocco’s Jazzablanca festival celebrates 10 years

29 May 2015 - 12:23

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Jazzablanca presents its 10th annual festival this month in Casablanca, Morocco featuring the innovative sounds of performers from around the world. The six-day festival runs from 18-23 April 2015.

Nigerian drummer Tony Allen

Six international artists will headline the event, one for each day of the programme. American guitarist, composer and singer Raul Midon takes to the stage on 18 April, performing a mix of genres including soul, jazz, blues, R&B and Latino music. He has four albums under his belt: Gracias a la vida (1999), State of Mind (2005), A World within a World (2007) and Pick Somebody Up (2009). He has worked with eminent musicians such as Stevie Wonder, Christina Aguilera, Ricky Martin, Shakira, Jennifer Lopez and José Feliciano.

British singer-songwriter and guitarist Charlie Winston performs on 19 April. He has fascinated French fans with his “rakish Anglo troubadour look – acoustic guitar, jaunty hat, weather-beaten voice – along with a streak of Gallic seen-it-all”. His 2009 album Hibo ranked number one on the French charts.

Anouar Brahem will be playing oud on 20 April. His 20-year career is marked by innovation, fusing jazz, folk music and classical genres from the oriental and Mediterranean repertoires. He started recording in 1991 after he became famous in his native country, Tunisia. He released nine albums, including Conte de L’Incroyable Amour (1991), Le Pas Du Chat Noir (2001) and The Astounding Eyes Of Rita (2009), among others. Brahem has received a number of national and international awards.

Grammy nominee Candy Dulfer is a Dutch smooth jazz and funk alto saxophonist who began playing at the age of seven. Her fourth album, For the Love of You (1997), remained in the Billboard charts for over 40 weeks. She has played with artists such as Lionel Richie and has performed all over the world from a young age. Dulfer will be performing on the Casa-Anfa stage on 21 April - the only female headliner participating this year.

On 22 April, music lovers will meet the co-creator (along with the late Fela Kuti) of the hugely popular and influential Afrobeat style, Tony Allen. Allen is one of the African continent’s most important artists. He has inspired generations of musicians worldwide and is a legendary figure amongst fans of funk, jazz, hip-hop and African music. During his 45-year career, this self-taught drummer has worked with famous names like U2, Damon Albarn, the Gorillaz and Blu. He recently released a new solo album, Film of Life.

The closing concert on 23 April will be performed by Keziah Jones. The king of “blufunk” - a fusion of raw blues elements and hard, edgy funk rhythms - Jones is a Nigerian singer-songwriter and guitarist. Heavily influenced by Jimi Hendrix and Fela Kuti, he gained popularity in England and France with singles like ‘Rhythm Is Love’ and ‘Beautiful Emile’.

Other artists on the bill include Charles Pasi, Malca, Martin Tingvall Trio, Sandra Amarie, Tristan, Jamal Thomas Band, Made in Bled, Mizano, Jamal Oussfi, Sunsparks, Othman El Kheloufi, Rachid El Garrab and others.

Since its first festival in 2006, Jazzablanca has become a key event for jazz music lovers around the world. Featuring a rich and varied programme, more than 400 musicians have performed in the festival since its inception. For more details visit the festival's website.

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