NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Mr Eazi drops Evil Genius album

27 Oct 2023 - 10:29

cc-img flag-img

Nigerian singer Mr Eazi today released his debut album The Evil Genius. Released via his independent record label emPawa Africa, the project is available for streaming and download across all major digital platforms

Mr Eazi.

The Evil Genius comes on the back of Mr Eazi’s seven-year career as a key name within Afrobeats circles, a catalogue from that boasts over four billion global streams, and international collaborations with the likes of Beyoncé, J Balvin, Bad Bunny and Nicki Minaj.

Recorded over the past two years across Accra, Cotonou, Lagos, London, Los Angeles, and New York, The Evil Genius blends Afrobeats, Afropop, gospel, hiplife, highlife and folklore into a pan-African fusion.

The album sees Eazi collaborating with an international cast of producers, including Kel-P (Nigeria), Michaël Brun (Haiti), Knucks (UK) and Nonso Amadi (Canada), as well as guest artists such as Grammy Award-winning legend Angélique Kidjo, Nigerian star Joeboy, and South African group Soweto Gospel Choir, to bring the 16-track project to life.

According to a statement, The Evil Genius is Mr Eazi’s most personal work by far, and it sees him diving deeply into strong themes around love, betrayal, loneliness and family, expressed through three distinctive movements or acts. The first of these three chapters finds Mr Eazi unburdening himself of the weight of success and fame, followed by a five-song movement about love, with the album ending on a suite of spiritual and deeply resonant anthems that capture Eazi in thanksgiving mode.

The most ambitious aspect of The Evil Genius is its visual art component, with the album birthing 16 art pieces to accompany each track on the album. Every track on The Evil Genius is represented by a unique physical art piece that Mr Eazi has commissioned from different contemporary visual artists he encountered while travelling across Africa to record the album. Noting a lack of alignment and collaboration between Africa’s exploding pop music industry and the continent’s fine art creators, Mr Eazi is highlighting the power of such collaboration by incorporating the work of these artists, representing eight African nations and a continent of aesthetics, into The Evil Genius.

Ahead of the album’s release, Mr Eazi held multi-sensory exhibition listening experiences. The exhibition debuted at Gallery 1957 in Ghana from 13 to 18 September. Following this inaugural presentation, the exhibition moved to London as part of the renowned 1–54 Contemporary African Art Fair at Somerset House from 12 to 15 October. Additional exhibition announcements in other cities are forthcoming.

[video:https://sheilaafari.us4.list-manage.com/track/click?u=c487250ce5471dfe0ab6a7961&id=74641e8dcc&e=b50be808a5 autoplay:0]

Evil Genius Tracklist
1. Olúwa Jọ̀
2. Advice
3. Òròkórò (ft. Angélique Kidjo)
4. Chop Time, No Friend
5. Notorious
6. Panadol
7. Jamboree (ft. Tekno)
8. Good Lovin’ (ft. Efya)
9. Lack of Communication
10. Fefe Ne Fefe
11. Legalize
12. Show Dem (ft. Whoisakin)
13. We Dey
14. Zuzulakate (ft. Joeboy)
15. Mandela
16. Exit (ft. Soweto Gospel Choir)

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media