NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

MTV Video Music Awards 2025: All the nominees

06 Aug 2025 - 14:18

cc-img flag-img

The nominees for the 2025 MTV Video Music Awards (VMAs) have been revealed ahead of the ceremony set to take place at New York’s UBS Arena on 8 September. The event will be broadcast live at 1am WAT on MTV (DStv Channel 130).

Asake, Tyla, Burna Boy and MOLIY are among the African artist nominated at the 2025 MTV Video Music Awards.

African musicians continue to gain international recognition, with several earning nominations in major categories at the VMAs. Nigerian artist Asake received two nominations for his collaborations: ‘Active’ with Travis Scott and ‘Get It Right’ with Tems. Burna Boy also received two nods, with ‘TaTaTa’ featuring Travis Scott in the Best Afrobeats category and ‘Higher’ nominated in the Video for Good category. South African singer Tyla was also nominated twice. Her track ‘PUSH 2 START’ received recognition in both Best Afrobeats and Best Choreography.

Other African artists nominated in the Best Afrobeats category include Ghanaian singer MOLIY, alongside collaborators Silent Addy, Skillibeng and Shenseea for ‘Shake It To The Max (FLY) (Remix)’. Rema received a nomination for ‘Baby (Is It A Crime)’, and Wizkid was recognised for ‘Piece Of My Heart’ featuring Brent Faiyaz.

Lady Gaga leads this year’s nominations with 12 nods, followed by Bruno Mars (11) and Kendrick Lamar (10). Beyoncé and Taylor Swift are both in the running for Artist of the Year, continuing their competition for the most career wins at the VMAs.

“The global recognition of African artists at this year’s MTV VMAs is a resounding affirmation of the genre’s influence and the visionary creativity shaping its evolution,” Paramount Africa senior vice-president and general manager Monde Twala said. “These nominations are not just milestones for the artists, they represent a cultural shift. At MTV Africa, we are proud to continue elevating African music and talent.”

Voting and awards ceremony

Voting is now open for 19 gender-neutral categories here until 5 September at 6PM ET. The Song of the Year category will be narrowed down to six finalists on 18 August, with voting continuing until 5 September. Fans can also vote by commenting on pinned posts on the Instagram page using artist-specific hashtags until 8 August at 1am CAT.

A daily “Power Hour” voting window, where fans can double their votes per category, will run from 7 August to 4 September between 1 and 2pm ET. The full list of performers and honourees for the ceremony will be announced in the coming weeks.

Below is the full list of nominees:

Best Afrobeats

  • Asake & Travis Scott – ‘Active’
  • Burna Boy ft. Travis Scott – ‘TaTaTa’
  • MOLIY, Silent Addy, Skillibeng & Shenseea – ‘Shake It To The Max (FLY) (Remix)’
  • Rema – ‘Baby (Is It A Crime)’
  • Tems ft. Asake – ‘Get It Right’
  • Tyla – ‘PUSH 2 START’
  • Wizkid ft. Brent Faiyaz – ‘Piece Of My Heart’

Video of the Year

  • Ariana Grande – ‘brighter days ahead’
  • Billie Eilish – ‘BIRDS OF A FEATHER’
  • Kendrick Lamar – ‘Not Like Us’
  • Lady Gaga & Bruno Mars – ‘Die With A Smile’
  • ROSÉ & Bruno Mars – ‘APT.’
  • Sabrina Carpenter – ‘Manchild’
  • The Weeknd, Playboi Carti – ‘Timeless’

Artist of the Year

  • Bad Bunny – Rimas Entertainment
  • Beyoncé – Parkwood Entertainment/Columbia Records
  • Kendrick Lamar – pgLang/Interscope Records
  • Lady Gaga – Interscope Records
  • Morgan Wallen – Big Loud Records/Mercury Records
  • Taylor Swift – Republic Records
  • The Weeknd – XO/Republic Records

Song of the Year

  • Alex Warren – ‘Ordinary’
  • Billie Eilish – ‘BIRDS OF A FEATHER’
  • Doechii – ‘Anxiety’
  • Ed Sheeran – ‘Sapphire’
  • Gracie Abrams – ‘I Love You, I'm Sorry’
  • Lady Gaga & Bruno Mars – ‘Die With A Smile’
  • Lorde – ‘What Was That’
  • ROSÉ & Bruno Mars – ‘APT.’
  • Tate McRae – ‘Sports Car’
  • The Weeknd, Playboi Carti – ‘Timeless’

Best New Artist

  • Alex Warren – Atlantic Records
  • Ella Langley – SAWGOD/Columbia Records
  • Gigi Perez – Island
  • Lola Young – Island
  • sombr – SMB Music/Warner Records
  • The Marías – Nice Life/Atlantic Records

Best Pop Artist

  • Ariana Grande – Republic Records
  • Charli xcx – Atlantic Records
  • Justin Bieber – Def Jam Recordings
  • Lorde – Republic Records
  • Miley Cyrus – Columbia Records
  • Sabrina Carpenter – Island
  • Tate McRae – RCA Records

MTV Push Performance of the Year

  • Aug 2024 – Shaboozey – ‘A Bar Song (Tipsy)’
  • Sept 2024 – Ayra Starr – ‘Last Heartbreak Song’
  • Oct 2024 – Mark Ambor – ‘Belong Together’
  • Nov 2024 – Lay Bankz – ‘Graveyard’
  • Dec 2024 – Dasha – ‘Bye Bye Bye’
  • Jan 2025 – KATSEYE – ‘Touch’
  • Feb 2025 – Jordan Adetunji – ‘KEHLANI’
  • Mar 2025 – Leon Thomas – ‘YES IT IS’
  • Apr 2025 – Livingston – ‘Shadow’
  • May 2025 – Damiano David – ‘Next Summer’
  • June 2025 – Gigi Perez – ‘Sailor Song’
  • July 2025 – ROLE MODEL – ‘Sally, When The Wine Runs Out’

Best Collaboration

  • Bailey Zimmerman with Luke Combs – ‘Backup Plan (Stagecoach Official Music Video)’ –
  • Kendrick Lamar & SZA – ‘luther’
  • Lady Gaga & Bruno Mars – ‘Die With A Smile’
  • Post Malone ft. Blake Shelton – ‘Pour Me A Drink’
  • ROSÉ & Bruno Mars – ‘APT’
  • Selena Gomez, benny blanco – ‘Sunset Blvd’

Best Pop

  • Alex Warren – ‘Ordinary’
  • Ariana Grande – ‘brighter days ahead’
  • Ed Sheeran – ‘Sapphire’
  • Lady Gaga & Bruno Mars – ‘Die With A Smile’
  • ROSÉ & Bruno Mars – ‘APT.’
  • Sabrina Carpenter – ‘Manchild’

Best Hip Hop

  • Doechii – ‘Anxiety’
  • Drake – ‘NOKIA’
  • Eminem ft. Jelly Roll – ‘Somebody Save Me’
  • GloRilla ft. Sexyy Red – ‘WHATCHU KNO ABOUT ME’
  • Kendrick Lamar – ‘Not Like Us’
  • LL COOL J ft. Eminem – ‘Murdergram Deux’
  • Travis Scott – ‘4X4’

Best R&B

  • Chris Brown – ‘Residuals’
  • Leon Thomas & Freddie Gibbs – ‘MUTT (REMIX)’
  • Mariah Carey – ‘Type Dangerous’
  • PARTYNEXTDOOR – ‘N o C h i l l’
  • Summer Walker – ‘Heart Of A Woman’
  • SZA – ‘Drive’
  • The Weeknd, Playboi Carti – ‘Timeless’

Best Alternative

  • Gigi Perez – ‘Sailor Song’
  • Imagine Dragons – ‘Wake Up’
  • Lola Young – ‘Messy’
  • mgk & Jelly Roll – ‘Lonely Road’
  • sombr – ‘back to friends’
  • The Marías – ‘Back To Me’

Best Rock

  • Coldplay – ‘ALL MY LOVE’
  • Evanescence – ‘Afterlife (From the Netflix Series "Devil May Cry")’
  • Green Day – ‘One Eyed Bastard’
  • Lenny Kravitz – ‘Honey’
  • Linkin Park – ‘The Emptiness Machine’
  • Twenty One Pilots – ‘The Contract’

Best Latin

  • Bad Bunny – ‘BAILE INoLVIDABLE’
  • J Balvin – ‘Rio’
  • KAROL G – ‘Si Antes Te Hubiera Conocido’
  • Peso Pluma – ‘LA PATRULLA’
  • Rauw Alejandro & Romeo Santos – ‘Khé?’
  • Shakira – ‘Soltera’

Best K-Pop

  • aespa – ‘Whiplash’
  • JENNIE – ‘like JENNIE’
  • Jimin – ‘Who’
  • JISOO – ‘earthquake’
  • LISA ft. Doja Cat & RAYE – ‘Born Again’
  • Stray Kids – ‘Chk Chk Boom’
  • ROSÉ – ‘toxic till the end’

Best Country

  • Chris Stapleton – ‘Think I'm In Love With You’
  • Cody Johnson with Carrie Underwood – ‘I’m Gonna Love You’
  • Jelly Roll – ‘Liar’
  • Lainey Wilson – ‘4x4xU’
  • Megan Moroney – ‘Am I Okay?’
  • Morgan Wallen – Smile’

Best Album

  • Bad Bunny – ‘DeBÍ TiRAR MáS FOToS’
  • Kendrick Lamar – ‘GNX’
  • Lady Gaga – Mayhem’
  • Morgan Wallen – ‘I’m The Problem’
  • Sabrina Carpenter – ‘Short n' Sweet’
  • The Weeknd – ‘Hurry Up Tomorrow’

Best Long Form Video

  • Ariana Grande – ‘brighter days ahead’
  • Bad Bunny – ‘DeBÍ TiRAR MáS FOToS (Short Film)’
  • Damiano David – ‘FUNNY little STORIES’
  • Mac Miller – ‘Balloonerism’
  • Miley Cyrus – ‘Something Beautiful’
  • The Weeknd – ‘Hurry Up Tomorrow’

Video For Good

  • Burna Boy – ‘Higher’
  • Charli xcx – ‘Guess’ featuring Billie Eilish
  • Doechii – ‘Anxiety’
  • Eminem ft. Jelly Roll – ‘Somebody Save Me’
  • Selena Gomez, benny blanco – ‘Younger And Hotter Than Me’
  • Zach Hood ft. Sasha Alex Sloan – ‘Sleepwalking’

Best Direction

  • Ariana Grande – ‘brighter days ahead’
  • Charli xcx – ‘Guess’ featuring Billie Eilish
  • Kendrick Lamar – ‘Not Like Us’
  • Lady Gaga – ‘Abracadabra’
  • ROSÉ & Bruno Mars – ‘APT’
  • Sabrina Carpenter – ‘Manchild’

Best Art Direction

  • Charli xcx – ‘Guess’ featuring Billie Eilish’
  • Kendrick Lamar – ‘Not Like Us’
  • Lady Gaga – ‘Abracadabra’
  • Lorde – ‘Man Of The Year’
  • Miley Cyrus – ‘End of the World’
  • ROSÉ & Bruno Mars – ‘APT’

Best Cinematography

  • Ariana Grande – ‘brighter days ahead’
  • Ed Sheeran – ‘Sapphire’
  • Kendrick Lamar – ‘Not Like Us’
  • Lady Gaga – ‘Abracadabra’
  • Miley Cyrus – ‘Easy Lover’
  • Sabrina Carpenter – ‘Manchild’

Best Editing

  • Charli xcx – ‘Guess’ featuring Billie Eilish
  • Ed Sheeran – ‘Sapphire’
  • Kendrick Lamar – ‘Not Like Us’
  • Lady Gaga – ‘Abracadabra’
  • Sabrina Carpenter – ‘Manchild’
  • Tate McRae – ‘Just Keep Watching (From F1® The Movie)’

Best Choreography

  • Doechii – ‘Anxiety’
  • FKA twigs – ‘Eusexua’
  • Kendrick Lamar – ‘Not Like Us’
  • Lady Gaga – ‘Abracadabra’
  • Tyla – ‘PUSH 2 START’
  • Zara Larsson – ‘Pretty Ugly’

Best Visual Effects

  • Ariana Grande – ‘brighter days ahead’
  • Lady Gaga – ‘Abracadabra’
  • ROSÉ & Bruno Mars – ‘APT’
  • Sabrina Carpenter – ‘Manchild’
  • Tate McRae – ‘Just Keep Watching (From F1® The Movie)’
  • The Weeknd – ‘Hurry Up Tomorrow’

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media