NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Munich Biennale announces Journal Rappé streaming dates

14 May 2020 - 09:28

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The Munich Biennale in Germany has announced the streaming dates for Journal Rappé – a Senegalese news programme that relays social, economic and political information through the hip hop idiom.

Senegalese rappers Keyti and Xuman were to present Journal Rappé in Germany this May.

Journal Rappé was scheduled to be presented live by rappers Keyti and Xuman in Munich this May, but the event was cancelled due to the COVID-19 pandemic.

The 2020 edition of the festival will now livestream 10 pre-recorded episodes of Journal Rappé between 15 and 24 May. The first episode will be streamed as part of the event's online launch on 15 May, and episodes 2 to 10 will screen from 16 to 24 May. All screenings will take place at 6pm GMT+2.

The content of Journal Rappé is centred on youth, politics and development in Africa. At the end of each episode, the rappers will discuss the topics covered with a live online audience on Munich Biennale's social media platforms.

"Given the current global pandemic, we have a special episode on public health in Africa where we take the opportunity to talk about the effects of COVID-19 on the African health system," Xuman told Music In Africa. "We also talk about African identity, independence, African pride and its culture, as well as Afrotopia."

The Munich Biennale says Journal Rappé "creates a space for an alternative discussion and is an outstanding example of the sparkling creativity of these two African artists."

"One result from this is journalism of citizens and artists that goes beyond the normal standards, which deals intensively with socio-political and economic subjects and questions the borders between art, activism and gridlocked communication routes," it said.

Since its launch in 2013, Journal Rappé has covered relevant topics that are often neglected by traditional media. Xuman says airing their content on the Internet has allowed the rappers to maintain their creative freedom. This, he says, is an alternative that other artists can explore, especially in environments defined by censorship laws.

"Already the Internet has succeeded in breaking down cultural barriers and now every content creator has their audience at the click of a button. The Senegalese diaspora alone represent 80% of our audience, and we have managed to build a good reputation for quality creative content from Africa that acts as a successful example that other creators can follow," Xuman said.

During a previous interview with Music In Africa, Keyti said Journal Rappé's primary goal was to actively encourage young people to engage in politics, criticise decisions in which they have little or no say, and use creativity to shape the future.

“The African youth is changing the narrative of Africa. For example, Kenya is becoming one of the technological hubs in the world, and I am confident that it will keep growing. Young people are doing that. In Nigeria, the creative industry in cinema is huge and young people are driving it. There are so many examples. So I don't think things can change on the continent without the youth," Keyti said.

The participation of Journal Rappé at the Munich Biennale 2020 is supported through a partnership between the Music In Africa Foundation, Siemens Stiftung, and Goethe-Institut.

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