NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

#Goethe-Institut

Music In Africa to co-host discussion on Kenyan industry financial potential

15 Aug 2016 - 05:19

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On Wednesday 28 September the Music In Africa Foundation in collaboration with Goethe-Institut Nairobi will host a discussion that explores the financial potential of the music industry in Kenya. This is the second discussion which follows on from a much heated debate on the Kenyan music policy. Kenya’s music market is said to have generated revenues of (US$19.8 million) in 2012, up from (US$16.5 million) in 2008. A 2015 report by PriceWaterHouse Coopers (PwC) noted  that  annual revenue would edge up to US$20.7 million in 2015, but fall back to US$20.1 million by 2017.

Kenyan currency. Photo: www.stockfresh.com

PwC further notes that consumer spending on live music events in Kenya is set to grow over the next five years but notes that live music is the smallest of the three music sectors and by 2017 will only account for 10% of music revenues in the country. Recent developments in the Kenyan music industry nevertheless prove that that there is untapped potential for the music industry. The countrywide album tour by the popular band Sauti Sol is said to have employed more than 100 people. Though the tour was held over a period of two months the contribution of such ventures to the Kenyan economy cannot be ignored.

The panel

Industry leaders including Mike Strano of Phat! Music and Entertainment, Muthoni Ndonga an artist and live events organizer, music producer and a digital distributor founder Tim Rimbui will be joined by creative economy expert George Gachara to discuss the challenges and opportunities available for operators in the music industry. The session will be moderated by arts and culture journalist Bill Odidi.

For 15 years Mike Strano has continually explored the music business in Kenya. Since moving to Kenya in 1998, Mike has built one of Kenya’s well known music business Phat Music and Entertainment limited. To date his company has expanded to include six units that cater for the various music business needs in Kenya. Through Phat! Publishing Mike has managed copyright related issues for South Africa’s Sheer Publishing Africa.

Sharing her views as an artist and entrepreneur will be Muthoni founded Blankets and Wine as a monthly platform to showcase the emerging and outstanding bands from across Africa. Blankets & Wine has grown into the most useful platform for live music in East Africa and is currently in Kenya and Uganda.

On the technology front music producer and founder of online music distribution platform Waabeh will be Tim Rimbui. With the 2015 IFPI report showing that digital sales had overtaken physical record sales, Tim will provide insights on the digital distribution within Kenya. In 2012 Tim founded Waabeh a digital platform aimed at solving the problem of discovery and distribution of music in Africa.

While the discussion will be focused on the business side, George Gachara will share insights on the state of the creative economy in Kenya. As a managing partner at HEVA fund he will be be able to enlighten aspiring music business entrepreneurs on what elements investors look for in a business. His involvement in the policy formulation for various creative industries in the country will also come in handy.

Lack of information

Even though conservative estimates show that the economic worth of the music recording industry in Kenya at about KES11.52 billion per annum (about $113million), there is no institution that is purely focused on collecting vital information on Kenya’s music industry. Lack of critical data is a factor that hampers the growth of the industry.

The forum will also be an opportune moment for stakeholders to see how better the country has worked to achieve the 2011 Creative Industry Taskforce aim of creating a 10%employment for the creative sector by 2017.

While the Industry shows signs of potential, the unfavourable environment in which musicians operate (lack of incentives), combined with an incomprehensive support structure and policy framework make it virtually impossible for musicians, producers and other stakeholders to develop a competitive music industry.

The discussion will start at 6:00pm. It is free and open to everyone. Any inquiries can be emailed to [email protected].

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