NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Music In Africa to co-host panel discussion on Kenya’s music policy

21 Jun 2016 - 05:08

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Music In Africa in collaboration with the Goethe-Institut Nairobi will bring together Kenyan music industry stakeholders to discuss the country’s music policy on Wednesday 29 June at 6pm.

Kenya artists protesting. Photo: www.msupa.com

Titled 'Music Policy in Kenya', the discussion will focus particularly on the current state of affairs in music copyrights management, royalty collection and the sensitive issue of local versus foreign content on Kenyan radio and TV.

These topics are critical to the East African nation’s music industry, as Music In Africa has reported over the past few months. You may remember that at the beginning of 2015 the country's Ministry of Sports, Arts and Culture released a new music policy draft, on which work first began back in 2006. Although a dedicated committee had been mandated to streamline the Kenyan music industry, review the legal and institutional framework and recommend implementation plans through the formulation of a robust national music policy, the end result was met with widespread criticism.

One of the challenges to the policy is that while it proposes a local content quota of 60%, there seems to be confusion around what exactly qualifies as "Kenyan content". In addition, critics have complained that the policy does not provide clarity on key frameworks for copyrights management and fails to address the needs of music consumers in the country. As a result, the planned launch of the policy has not taken place and there is still confusion as to what is going to happen next. Throughout 2015, Kenyan artists also took to the streets to protest against the dominance of foreign content on local airwaves.

The panel

The discussion will explore the challenges, opportunities and possible solutions related to the policy. It will feature four experienced panellists and a moderator. The panellists’ talks will be followed by a Q&A session and discussions.

One of the panellists will be Perry Alando, the founder of Talent Management Agency, who came out strongly against the proposed laws, particularly the proposed Music Trust Fund that would 'fix’ gate fees for all event organizers. Alando has worked as an artist and manager and staged concerts for performers such as Tangerine Fusion and Jabali Afrika. He also teamed up with The Media Machine to put together concerts that featured “River Road megastars” such as Faustin Munishi, Mary Atieno, Mary Wambui, Shari Martin, the Kassangas and Faith Kithele.

Also on the panel will be Merit Simiyu Wambati, operations manager and acting CEO of the Music Copyright Society of Kenya (MCSK). Wambati joined MCSK in October 2008 and was instrumental in the formation of their human resources department, which involved restructuring the team, designing and implementing the strategic plan and helping achieve international certification. Wambati is currently part of the technical team formed by Kenya's three Collective Management Organisations to develop a joint tariff and has also been involved in the recent royalties pay out for artists owed by Safaricom's Skiza Tunes platform.

Maureen Kunga from the band Elani will speak on the subject from an artist's perspective. Maureen holds a law degree from the University of Nairobi. Alongside her bandmates Wambui Ngugi and Bryan Chweya, they been outspoken in their criticism of the MCSK regarding royalty payouts for radio airplay.

Also representing musicians on the panel will be John Katana of Them Mushrooms, who is also the acting secretary-general of the Kenya Musicians Union. In October 2015 he was re-appointed as the Director of the Kenya Copyright Board. With over 25 years of music industry experience, John is an accomplished musician, arranger, bandleader and producer who has worked with the likes of Esther Wahome, Kenge-Kenge, Shimelis Ararso (Ethiopia), Shaibu Ole Monduli (Tanzania), Tshaka Mayanja and Sammy Kasule (Uganda).

The panel will be moderated by popular media personality Anyiko Owoko. She is a host and assistant producer of the TV show Grapevine, the Kenya Broadcasting Corporation’s longest-running entertainment magazine show. She is also Sauti Sol's publicist.

The event will also feature a short performance by Kenyan artist Winyo, whose musical style draws from traditional Luo melodies, Afro-jazz and Benga, fused into an authentically Kenyan acoustic sound complemented by intelligent, witty lyrics.

The first of two important music industry discussions scheduled to take place at the Goethe-Institut in Kenya this year, the event seeks to facilitate knowledge sharing and exchange within the industry. Music In Africa is an initiative by the Goethe-Institut together with the Siemens Stiftung and partners from across Africa.

The discussion will start at 6:00pm. It is free and open to everyone. For any inquiries email Beth Achitsa at [email protected].

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