NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Music In Africa Foundation celebrates 10th birthday in Joburg

01 Aug 2023 - 10:40

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The Music In Africa Foundation (MIAF) marked a decade of empowering music creators and uniting the continent through music at a special event in Johannesburg, South Africa, on 27 July.

MIAF executive director Eddie Hatitye addressing the crowd at AMPD Studios on 27 July. Photo: Stone Productions

Founded in 2013, the MIAF has been a catalyst for development in the African cultural and creative industries (CCIs) by promoting information exchange and talent discovery.

Held at AMPD Studios in the heart of Johannesburg, the event brought together esteemed artists, industry leaders and music enthusiasts who were eager to commemorate the MIAF’s remarkable journey.

The event hosted inspiring speeches from MIAF executive director Eddie Hatitye, Siemens Stiftung senior project manager and MIAF board member Jens Cording and Goethe-Institut Sub-Saharan Africa director Dr Andreas Ströhl. A panel discussion with Hatitye, IKS Cultural Consulting boss Andre Le Roux, musician Spha Mdlalose, Matchbox Live CEO Theresho Selesho and AMPD Studio operations manager Nosisi Ngakane also discussed the state of the CCIs in Africa.

The true essence of the event lay in the electrifying live performances by Mdlalose and Sibusile Xaba’s 15-piece experimental ensemble IzangoMa. The two acts’ captivating melodies transported the audience on a soul-stirring journey through the diverse sounds of Africa. Mdlalose, with her powerful vocals and soulful tunes, showcased the essence of African jazz, while IzangoMa mesmerised the crowd with a fusion of traditional rhythms and contemporary sounds. The performances were a testament to the extraordinary talent that Africa has to offer and the MIAF’s role in supporting these artists towards global recognition.

“The event served as a reminder of the MIAF’s transformative work and commitment to music communities across the continent over the past decade,” Hatitye said after the event. “Apart from developing www.musicinafrica.net, the biggest information and exchange web portal on the continent, the MIAF has implemented a number of key ‘offline’ projects that have been instrumental in championing African music.”

Just in the past five years alone, the foundation has invested close to €10m towards making a positive difference in the sector through projects such as the ACCES music conference, which takes place for a second year in Dar es Salaam, Tanzania, this November, the Sound Connects Fund (SCF), a funding facility worth more than €4m dedicated to the creative economy in Southern Africa, the Gender@Work training programme for female music professionals, the Instrument Building and Repair programme aimed at professionalising indigenous instrument making, the Revenue Streams for African Musicians project, which was run as a pilot in South Africa in 2020 to improve the earning potential of music makers, the Music In Africa Live digital content production project, and the MusicXwords training and exchange initiative targeting musicians and spoken word artists.

Through these programmes, and many others, more than 7 000 music professionals have directly benefited from programmes conducted by the MIAF since its establishment 10 years ago. In the same period, the Foundation has offered jobs and learning opportunities to over 1 000 journalists and researchers across the continent, developing useful information that is shared with thousands of users free of charge.

“With performances that showcased the essence of African music, discussions on past achievements and a vision for the future, the Music In Africa Foundation’s 10th anniversary celebration was not just a moment of reflection on the achievements of the past decade but a resounding declaration that this is just the beginning. As African beats echoed through AMPD Studios, there was a reminder of the importance of supporting African music for a better tomorrow,” Hatitye said.

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