NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Music In Africa remembers Hugh Masekela with these unforgettable songs

04 Apr 2019 - 10:02

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The father of South African jazz, Hugh Masekela, would have been 80 years old today and it is no surprise that the maestro is being honoured all around the globe on his birthday. Even Google is paying homage to the illustrious trumpeter with a colourful doodle.

The late Hugh Masekela.

At Music In Africa we have decided to remember the musician-activist through some of his most unforgettable songs, which brought happiness and a sense of hope for South Africans and Africans alike; and although Masekela's career is too extensive (over six decades!) to contain within a single article, the following songs will give the listener an idea of the artist's philosophical insight, diverse creative approach and ceaselessly energetic demeanour. Happy birthday, Bra Hugh!

'Bring Him Back Home (Nelson Mandela)'

This live version of 'Bring Him Back Home', the seminal anti-apartheid song, was recorded at Paul Simon's 1987 Graceland: The Africa Concert in Zimbabwe, which featured arguably South Africa's greatest musicians of all time, including the late Miriam Makeba and Ray Phiri, as well as Grammy winners Ladysmith Black Mambazo, bassist Bakithi Kumalo and keyboardist Tony Cedras, among others. It's worth mentioning that Mandela was such a big fan of Masekela's that he managed to smuggle a letter out of the infamous Pollsmoor Prison for the jazzman's birthday in 1985.

'Stimela'

‘Stimela’ (Train) is one of Masekela’s most vivid compositions, telling the story of migrant workers coming to toil in South Africa's mines. We've chosen another live performance for this one because of the all-star ensemble backing the South African. There aren’t many musicians who get to play their own songs with Herbie Hancock, Marcus Miller and Lee Ritenour. Bra Hugh truly was jazz royalty in his own right.

'Thanayi'

‘Thanayi’ features South African singer Thandiswa Mazwai and makes for a memorable duet by the two musicians. The upbeat composition takes the listener directly into township life, while its video shows Masekela's love for African dance.

'Tapera'

This collaboration with Oliver Mtukudzi, who passed away exactly a year after Masekela, is off the No Borders album, and testament to the two veterans' decades-long relationship. “Oliver and I first met in Bulawayo in 1982," Masekela told Music In Africa in an interview published two years ago. "We have collaborated on stage several times since 1990 when I returned from exile. We did the song in Harare over a couple of hours ... We’re always the same when we meet and share many occasions of breaking bread together in our respective homes.”

‘Grazing in the Grass’

The Grammy-nominated song was released in 1968 and is a fusion of the American jazz sound and African township rhythms. Following its release, ‘Grazing in the Grass’ landed at No 1 on the US pop charts and sold more than 4 million copies. It's regarded as Masekela most memorable tune.

‘Don't Go Lose It Baby’

This Afrobeat/disco-inspired song is one of Masekela's biggest dance hits. It has been remixed numerous times and can still be heard at retro parties around the world. ‘Don't Go Lose It Baby’ was produced and co-written by Stewart Levine, with whom Masekela ran a production company in New York City. Levine also produced ‘Grazing in the Grass’, and was one of Masekela's lifelong friends.

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