NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Music industry bodies push for AI labels on streaming platforms

10 Jul 2026 - 12:33

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The Recording Industry Association of America (RIAA) and the International Federation of the Phonographic Industry (IFPI) are leading an industry initiative to introduce labels identifying artificial intelligence (AI)-generated music across major streaming platforms, according to a report by The Wall Street Journal.

RIAA chairman and CEO Mitch Glazier.

The proposal, which is also backed by the Recording Academy, SAG-AFTRA, the Human Artistry Campaign and the American Association of Independent Music, seeks to improve transparency as AI-generated music becomes increasingly common on digital streaming services.

Under the proposal, two labels would be introduced. The first, “AI-generated”, would apply to recordings created entirely by AI, including tracks generated from text prompts or those featuring AI-produced lead vocals or principal instrumental performances. The second, “AI-assisted”, would identify recordings created primarily by humans but incorporating AI during parts of the creative process.

According to The Wall Street Journal, the proposed labels would appear alongside tracks in a similar way to existing explicit-content warnings. Initially, the labels would apply only to the production of audio recordings and would not cover AI use in songwriting, lyrics, artwork or music videos. AI disclosures would also remain voluntary, relying on artists, record labels and distributors to provide the information.

The initiative follows growing calls within the music industry for greater transparency regarding AI-generated content. A recent survey conducted by Deezer and Ipsos found that 97% of respondents were unable to distinguish between AI-generated and human-created songs, while 80% supported clear labelling of fully AI-generated music.

RIAA chairman and CEO Mitch Glazier said artists should retain the freedom to incorporate AI into their work while ensuring audiences understand how recordings were created.

“But flexibility in the creative process also means that artists who want to use AI in the creative process should be able to do so. Transparency is just the best way to have it both ways.”

The Digital Media Association (DiMA), whose members include Spotify and Apple, said it supports improving the flow of AI-related information throughout the music supply chain, although it has not confirmed whether its members will adopt the proposed labels.

“That information flows best when it travels the entire path from creator to fan, and our members rely on industry partners to make that possible,” DiMA president and CEO Graham Davies said.

Several streaming services have already introduced measures to identify AI-generated music.

Deezer began detecting and labelling AI-generated tracks at platform level in 2025. The company said in April that it receives nearly 75 000 fully AI-generated tracks each day, accounting for more than 44% of new uploads. It has also reported that up to 85% of streams involving fully AI-generated music in 2025 were fraudulent and said those streams are excluded from royalty calculations.

Spotify has adopted the DDEX industry standard for AI disclosures in music credits and has been testing AI indicators within song credits where artists disclose AI use through their labels or distributors. The platform has also introduced verification rules that exclude profiles primarily representing AI-generated artists.

Other streaming platforms have also implemented AI-related policies. TIDAL announced in June that it would label fully AI-generated recordings and prevent them from earning royalties, while Qobuz introduced an AI detection system earlier this year to identify AI-generated content and remove recordings found to impersonate artists or manipulate streaming activity. Apple Music launched its own disclosure system in March, relying on labels and distributors to declare AI-generated recordings rather than detecting them independently.

If adopted more broadly, the proposed labelling framework would establish a common approach for identifying AI-generated and AI-assisted music across the streaming industry.

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