NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Music for Wildlife series debuts on Trace TV

24 Jul 2025 - 09:48

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A new concert series titled Music for Wildlife has premiered on Trace Global Network TV channels and streaming platforms, blending African music and wildlife conservation in a landmark initiative aimed at raising awareness for the continent’s endangered biodiversity.

Ugandan singer Azawi is featured in the new concert series.

Produced by conservation NGO Wild Africa in collaboration with immersive music platform OAS1SONE, the series seeks to reach over 350 million viewers in 190 countries, celebrating Africa’s rich musical heritage while spotlighting the urgent need to protect its iconic wildlife and natural spaces.

The Music for Wildlife series features more than 150 African artists, each contributing their talent to a unifying message: the time to act for wildlife is now. Backed by the International Fund for Animal Welfare (IFAW), the project addresses the escalating threats facing Africa’s wildlife, including poaching, habitat loss, climate change, illegal trade, and human-wildlife conflict. According to the WWF’s 2024 Living Planet Index, global wildlife populations have declined by 76% in the past 50 years, underscoring the severity of the crisis.

Despite the grim statistics, the project channels hope, harnessing the power of music to drive emotional connection and inspire change.

“Africans should care about protecting wildlife,” South African amapiano pioneer Focalistic said. “Wildlife and national parks create a lot of jobs in Africa, such as attracting tourists from across the world. Let’s use music and arts to protect our amazing wildlife.”

Airing weekly from July 2025, the 24-minute episodes feature studio performances interwoven with storytelling, visuals, and conservation content. The artist line-up includes some of the continent’s biggest names such as CKay (Nigeria), Feli Nandi (Zimbabwe), Ugandan artists Azawi and Vinka, as well as South African artists Focalistic, Musa Keys, Kamo Mphela, Shekhinah, Zakes Bantwini and Joyous Celebration.

Vinka said: “Music for Wildlife has changed how I think about myself in relation to the natural world on which we all depend, and my role in shining a light on the things that threaten it. Music is the most powerful connector in the world.”

CKay added: “We Nigerians love our music and culture, but where is the love for our wildlife? Because of habitat loss, poaching, deforestation and the illegal bushmeat trade, we risk losing them forever. Let’s give our wildlife some space and some love.”

From Cape Town to Lagos and Harare to Windhoek, artists are lending their voices in solidarity, using music to inspire their fans to reconnect with Africa’s national parks and support conservation efforts.

Joyous Celebration founder Lindelani Mkhize said: “Music is our prayer, our power, and our protest. With Joyous Celebration, we raise our voices not just in worship, but in a divine call to protect Africa’s majestic wildlife. This is our sacred duty to preserve the beauty God entrusted to us.”

The project is being hailed as a breakthrough in advocacy. Trace Group co-founder and executive chairman Olivier Laouchez said: “Trace is proud to open its global network to host the Music for Wildlife shows that perfectly align with our values and initiatives.”

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