NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Namibian Annual Music Awards 2019: All the winners

09 Sep 2019 - 08:03

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The winners for the 2019 edition of the Namibian Annual Music Awards (NAMAs) were announced at The Dome, in Swakopmund at the weekend.

Lize Ehlers won three awards. Photo: Facebook

Lize Ehlers is the biggest winner in the Artist of The Year, Best Female Artist of The Year and Best House categories. Following with two awards each are Gazza, Exit, Top Cheri and KK. Gazza triumphed in the Best Afro Pop and Best Song of The Year categories while Exit came tops in the Best Kwaito and Best Male Artist of The Year.

The Best Newcomer and Best Album of the Year awards went to Top Cheri. KK took home the Best Single and Best Music Video gongs. Stoney Mubiana and the late South African artist Brenda Fassie were honoured with Lifetime Achiever’s Award and NAMA Special Award respectively.

The Pan African Artist of the Year award went to South African hip hop artist AKA. Other winners in different categories are Jaleel, Gerry Dread, Skrypt, DJ Chronic and Tswazis.

Below is the full list of winners:

Artist of The Year

  • Lize Ehlers

Best Afrikaans

  • ‘Amen’ – Vaughn Ahrens
  • ‘Ek is Lief vir Jou’ – Bradley Anthony ft. Bwoy
  • ‘God van Die Ou-tyd’ – Lindsey
  • ‘Hou op Lieg’ – Lize Ehlers
  • ‘Lief My’ – Reeziana

The Best Damara Punch

  • ‘Nauxube’ – T-bozz and Staika
  • ‘Eendjo’ – Kinnzo
  • ‘Yaa Nangeshefa’ – Kinzzo and Fimbiko
  • ‘Ne! hub-aib’ – Rodney Seibeb
  • ‘Sa Geluks’ – Tswazis

The Best Oviritjie

  • ‘Mukaa Kozongombe’ – MBM
  • ‘Penina’ – Alma Peki Hiamuhona
  • ‘I’m Sorry’ – Ouwa uo Viritje
  • ‘Mbakondja o’sharpa’ – Rax Kandjoze
  • ‘Okakuruha’ – The Big Five

The Best Soukous/Kwasa

  • ‘Chichikezako’ – Allen Jonathan ft DJ Lenga Lenga
  • ‘Mukwako’ – DJ Siya ft. Tate Buti
  • ‘Molukanda’ – Msunday ft. JS
  • ‘Ondjeke’ – Tate Buti
  • ‘Top Cheri’ – Danisa

The Best Afropop

  • ‘Chelete’ – Gazza
  • ‘Comprende’ – Antany Knows
  • ‘Nuba te Allen’ – Jonathan ft. Stakes and Adora
  • ‘The Music’ – DJ Kboz ft. King Elegant, Princelou, Top Cheri and Athawise
  • ‘Roro’ – Kalux ft. One Blood

Best Gospel

  • ‘Alles op die Altaar’ – Lindsey
  • ‘Yadah Praise’ – Adoration Holy Choir
  • ‘We Pray’ – D-naff ft. Namgospel United
  • ‘Pray’ – Tswazis
  • ‘Op die See’ – Zay Zay

Best Kwaito

  • ‘Limwaku Mwaku’ – Exit
  • ‘Mistake Me’ – ft. Young T D-Jay
  • ‘Do Like I Do’ – Rocking Gents
  • ‘Omakunde’ – Satlam and MA Jay ft. Exit, Alcovibe and Yizo Yizo
  • ‘Kotoka’ – Sixer Vundakan ft. Exit

Best R&B

  • ‘Real Love’ – Jaleel
  • ‘Maukuhongo’ – DJ Kboz ft. Etjo
  • ‘Just like That’ – Michael Pulse
  • ‘So Bae’ – Sean K
  • ‘Take it Away’ – Shaeto

Best Rap/Hip Hop

  • ‘I got it’ – Skrypt
  • ‘Mirror Image’ – Abdallah ft. Zara, Fiddy the Rapper and Leo the Guitarist
  • ‘Molukanda’ – Kanibal
  • ‘Remain Me’ – Shaeto ft. Bradley Anthony
  • ‘Run the Whole Town’ – Slammer

Best House

  • ‘Fantastic Sam’ – Lize Ehlers
  • ‘Kala Wahafa’ – Franklin and Dee’a ft. Esme and Imms
  • ‘Today’ – Good Soul ft. Desire
  • ‘Eengoma’ – Kinzzo and Fimbiko
  • ‘I’m in Love with Jesus’ – Seun

Best Reggae

  • ‘Ghetto Survival’ – Gerry Dread
  • ‘Who can i Send?’ – Frans Domingos
  • ‘Vana Vandje’ – Kana Boy ft. Kamati Ekanda
  • ‘Stellenbosch’ – Vaughn Ahrens
  • ‘Loving You is Easy’ – Valentino Elago ft. Dalux

Best Traditional

  • ‘Vakuru’ – Big Ben
  • ‘Ombili Naipangele’ – Katopi
  • ‘Change’ – Laviyalava ft. Himba Boi
  • ‘Iao Khoen’ – Pulaza
  • ‘Ontumwafo’ – Torshlam

Best Collaboration

  • ‘Mo Fire’ – Blenge ft. Etjo and Jimmy Jay
  • ‘Top Cheri’ – 0.com Nana ft. and Daka Yonongo
  • ‘Love Language’ – Kanibal ft. King Wasaby
  • ‘Aina’ – Tate Buti ft. Top Cheri
  • ‘Remain Me’ – Shaeto ft. Bradley Anthony

Best Single

  • ‘Khâimâ’ – KK ft. Tswazis
  • ‘Know Better’ – Desmond ft. Jaleel
  • ‘No Surprise’ – Rush ft. Lamore
  • ‘Net So’ – Sally Boss
  • ‘Young, Wild And Free’ – Sunny Boy

Best Music Video

  • ‘Khâimâ’ – KK ft. Tswazis
  • ‘Real Love’ – Jaleel
  • ‘Give me Dance’ – Leather Mein
  • ‘Net So – Sally Boss Madam
  • ‘So Bae’ – Sean K

Song of the Year

  • ‘Chelete’ – Gazza
  • ‘Slickartie BAD’ – Lioness
  • ‘Drowning in my Feelings’ – ‘Y Cliff’

Pan-African Artist of the Year

  • AKA ft. Kiddominant – ‘Fela In Versace’
  • Diamond Platnumz – ‘African Beauty’
  • Holly Rey – ‘Deeper’
  • Master KG – ‘Skeleton Move’
  • Prince Kaybee – ‘Banomoya’

Best Producer

  • DJ Chronic – ‘Life of Kuntakinte’
  • DJ Chronic – ‘5’
  • Mr Andrew – ‘Fertile’
  • Elvo Dierghaat – ‘Critical but Stable’

Best Newcomer

  • Top Cheri – ‘Fertile’
  • Franklin and Dee’a – ‘Church in Session’
  • Lindsey – ‘Renewed’
  • Skrypt – ‘For the Wait’
  • Vaughn Ahrens – ‘Songs for Wednesdays’

Best Duo/Group of the Year

  • Tswazis – ‘Critical but Stable’
  • Franklin and Dee’a – Church in Session’
  • Kinzzo and Fimbiko – ‘Iimwaku’
  • O.com – ‘Kings of Kulture’
  • T-Bozz and Staika – ‘Nauxube’

Best Album of the Year

  • Fertile – Top Cheri
  • Life of Kuntakinte – Exit
  • Misunderstood – Gazza
  • Ondjeke – Tate Buti
  • Critical but Stable – Tswazis

Best Female Artist of the Year

  • Lize Ehlers – ‘5’
  • Lindsey – ‘Renewed’
  • Reeziana – ‘Dawn of the Enderdog’
  • Top Cheri – ‘Fertile’
  • Zay Zay – ‘U Genade’

Best Male Artist of the Year

  • Exit – ‘The Life of Kuntakinte’
  • Big Ben – ‘102’
  • DJ Kboz – ‘38’
  • Gazza – ‘Misunderstood’
  • Sean K – ‘Status Updated’

Lifetime Achiever’s Award

  • Stoney Mubiana

NAMA Special Award

  • Brenda Fassie

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