NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Namibia’s Elemotho to tour Germany while his songs feature on US TV

11 Apr 2016 - 13:54

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Elemotho is taking Namibian music to the world. He is soon to embark on a three-month tour of Germany, while in the USA two of his songs will be featured on a leading TV show.

Namibian singer Elemotho is making waves in Europe and the USA. Photo: 99fm.com.na

The good news comes despite Elemotho not picking up any nominations for this year’s Namibian Annual Music Awards (NAMA).

Elemotho was the first Namibian musician to win the prestigious RFI Discoveries Awards in 2012. He released his third album Ke Nako (it’s time) in 2014 and has performed internationally in over more than 25 African and European countries. He recently performed in South Africa at the inaugural Kgalagadi Jazz Festival on 26 March.

He will be back in Germany during April, May and June to present his ‘Afro-Acoustic Experience’, alongside his long-time guitarist, Samuel Batola. The following dates have been confirmed, with more gigs expected to be added:

  • 22 April: Big Buttinski, Osnabrueck
  • 7 May: Internationales Theatre, Frankfurt
  • 15 May: Burg Lissberg Afrika Festival, Burg Lissberg
  • 27 May: Afrika Festival, Osnabrueck (Openning Event)
  • 7 June: Ke Nako Afrika Festival, Berlin
  • 11 June: Osnabrueck Afrika Festival, Osnabrueck
  • 12 June: Munster Afrika Festival, Munster
  • 18 June: Frankfurt Afrika Festival, Frankfurt

Elemotho took some time from his busy schedule to talk to Music In Africa about the upcoming tour. No stranger to Germany, he said he has enjoyed performing there over the past few years: “I have been touring Germany officially since 2011, having done more than 30 shows in a period of two years. I have been lucky to have a good reception in Germany. In fact, some of the people know me from their travels to Namibia, or are Namibians living in Germany. Extensive touring has been of great assistance in introducing me to a larger German audience.”

This time around, he hinted at what audiences can expect at his upcoming shows in Germany: “I want to provide German audiences with something for their mind and spirit, where less is more and words and melody carry a power more hard core than bullets, bombs and hunger.”

Speaking more generally about the state of Namibia’s music industry, Elemotho explained that despite recent growth in the local industry, it remains important for Namibian musicians to look for opportunities beyond their own country. “The Namibian music industry is coming of age," he said. "There are lots more genres and a focus on local languages has become prominent. There is a lot more radio and TV play of Namibian music. Now that the world is pretty small, Namibian musicians are also forced to become global participants in the melting pot of contemporary music scene. We are a nation of 2.2 million people - the numbers don't add up when it comes to CD sales and concerts, so one has to look to outside markets, even just in Southern Africa, where the numbers of people guarantee a buying crowd.”

Apart from the concerts, Elemotho will also work on the music for a theatre production called Oshi-Deutsch, which is set to be staged 11 times, mainly in Osnabrueck. The production tells the fascinating story of the so-called “GDR children” of Namibia - 400 young Namibian refugees from Namibia’s war of independence who were airlifted when their camp in Cassinga, Angola was attacked in the late 1970s and sent them to former East Germany (GDR), where the traumatised children grew up in homes, cut off from the outside world and taught only a handful of Namibian songs, dances and recipes. In 1990, several months after the fall of the Berlin Wall, Namibia finally gained its independence and the children were uprooted again to be sent back to Namibia. The upcoming production examines the complex issues of home and identity within this context.

Elemotho signs deal with American TV show

While preparing for lengthy upcoming tour, Elemotho has also announced that two of his songs, ‘Neo’ and ‘La Vida’, will feature in the upcoming second season of the popular American TV series Grace and Frankie, starring two-time Oscar-winner Jane Fonda, Lily Tomlin, Martin Sheen and more. The two songs are from his compilation My Africa, distributed by the UK-based distribution agency ARC Music.

Elemotho recently told The Namibian: “For me it’s very big… After watching the show, I am really excited to have my music play on the second season of this very popular show. Those are big names among the actors and I like them.”

The TV deal look set to get the Namibian artist’s music into other foreign media. “I have my foot in Hollywood now. You aim for a lot and hope for the best,” Elemotho said. “I have been working very hard and something of this magnitude is such a great pleasure!”

With the world opening up to the songs of Elemotho, years of hard work are paying off for this Namibian artist. He told Music In Africa of his plans for the rest of the year: “I am currently recording a single called ‘Black Man’ for my upcoming album called Beautiful World. I am hoping to do more touring - we are still working on that, and the possibility of new singles towards the end of the year. There is a lot more in the pipeline - we are still busy in the laboratory getting things ready so audiences can expect a lot of surprises towards the second half of this year!

For a glimpse of what’s to come, listen to Elemotho and Samuel Batola’s new song, ‘Beautiful World’, in the video below.

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