NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Netflix and Spotify in talks over music-focused collaboration amid rising competition

07 Jul 2025 - 10:13

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Netflix has reportedly held discussions with Spotify regarding potential collaborations on music-centric projects, as both streaming giants explore new offerings in an increasingly competitive market.

Netflix’s push into music content coincides with intensifying competition among streaming platforms for subscriber growth.

According to a Wall Street Journal report published on Wednesday (3 July), citing sources familiar with the matter, the discussions have included possible partnerships on a music awards show, a live concert series, celebrity interviews, and quick-turnaround documentary projects aimed at maintaining cultural relevance.

Netflix is said to be expanding its music-related content, including a reboot of the classic talent show Star Search, and the debut of a new competition series titled Building the Band, set to premiere next week. The show, hosted by Backstreet Boys member AJ McLean, will feature musicians auditioning for a spot in a band without meeting their potential bandmates until rehearsals commence.

Netflix vice president of Nonfiction Series and Sports, Brandon Riegg, told the Wall Street Journal that the platform has seen strong performance from reality shows such as Love Is Blind and Million Dollar Secret, its answer to Survivor.

For its music competition programming, Netflix has reportedly enlisted Jeff Gaspin, the former NBCUniversal executive known for commissioning The Voice, to lead its unscripted music content. Gaspin recently joined Netflix as Vice President of Unscripted Series.

Riegg suggested that a potential second season of Building the Band could include a live finale. However, Gaspin emphasised that any live elements must be purpose-driven. “We don’t want to do live for live’s sake… If we are going to do live, we should have a reason,” he said.

A second music competition series is also believed to be in development, with a release expected in the coming months, sources told the Wall Street Journal.

The reported talks with Spotify underscore Netflix’s growing interest in live programming and expanding its content slate, following its first subscription price hike in the United States in over 18 months, which took effect in January.

Under the new pricing, Netflix increased its ad-free Standard plan, allowing two simultaneous HD streams, by $2.50 to $17.99 per month (up from $15.49). The Premium tier now costs $24.99, up from $22.99.

As Music Business Worldwide previously noted, this move has widened the gap between Netflix and Spotify’s subscription pricing. Spotify raised its Premium plan by $1 to $11.99 in June 2024.

Netflix’s push into music content coincides with intensifying competition among streaming platforms for subscriber growth. By the end of 2024, Netflix had amassed 301.6 million paid subscribers, marking a 16% year-on-year increase. Spotify, meanwhile, reported 268 million Premium subscribers in Q1 2025, reflecting a 12% rise from the previous year.

For Spotify, a partnership with Netflix would align with its recent experimentation with video content. The Sweden-based company announced the beta launch of music videos in March 2025, initially rolling out in 11 countries including the UK, Germany, Italy, Sweden, Brazil and the Philippines. Egypt was later added to the list.

In October 2024, Spotify revealed plans to expand music video streaming to 85 new markets. The platform also recently launched exclusive K-pop performance videos, available exclusively to paying subscribers.

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