NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

New anthem to premiere at World Choir Games

12 Mar 2018 - 10:58

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English composer and Interkultur honorary artistic director John Rutter has composed a new anthem for the World Choir Games (WCG) that will be held in Tshwane, South Africa, from 4 to 14 July. Titled ‘One Voice – Anthem for the World Choir Games’, the new composition will debut at the games’ opening ceremony.

English composer John Rutter. Photo: flickr.com

‘One Voice – Anthem for the World Choir Games’ replaces the ‘Choir Olympic Hymn’, which has been performed since 2000 when the games were held for the first time in Linz, Austria.

This 2018 edition of the games marks the first time the competition will be held on African soil.

“The new anthem is fantastic. We’re sure that this is one of the most beautiful compositions Rutter has written so far,” Interkultur senior artistic director Prof Ralf Eisenbeiss said. “We’re very proud of this cooperation. When many voices join together, then you have a choir singing with one voice, one hope, to one heart’s desire.”

Rutter’s new piece is expected to touch the hearts of thousands of singers and viewers from all over the world. Rutter’s previous works include ‘Requiem’ (1985), ‘Magnificat’ (1990), ‘Te Deum’ (1990), ‘Mass of the Children’ (2003) and ‘Visions’ (2016).

Rutter, a conductor, arranger and a choral music record producer of repute, has worked with high profile British music composer Sir David Willcocks whom he collaborated with on five volumes of the successful Carols for Choirs anthology series.

More choirs added to the WCG

About 400 choirs from 65 countries are scheduled to stir Tshwane in 27 electrifying categories. The choirs will compete for top honours while learning from each other’s unique cultures and singing styles. The WCG prides itself in breaking cultural barriers and providing a platform where individuals from around the world compete under the banner of unity, much like the Olympic Games.

South Korean Show Choir

WCG is known for bringing some of the world’s best choirs at its events. Choirs like the South Korean Show Choir, which sang at the 2018 PyeongChang Olympic Winter Games in February, is one such choir. The group will perform a wide repertoire of pop music combined with a cappella, rap, beatbox and street dance elements, as well as classical choir music.

Founded in March 2013, the Korean choir made a quick start and emerged as a top contender at international competitions. The choir debuted at the 2016 WCG in Sochi, Russia, where it scooped two gold medals.

Winelands Chamber Choir

The Winelands Chamber Choir, whose repertoire ranges from classical to contemporary choral arrangements, is a non-profit organisation based in the Winelands district of the Western Cape in South Africa. The choir was established in 2010 by former teachers, members of the then Paarl Schools Music Centre and the Paarl/Wellington Regional Children’s Choir, who came together to pay tribute in song to the late Norma Norman, who served for both institutions as secretary.

By entering the WCG, the choir aims to expand its presence and reach out to more people through its magnificent performances. No stranger to choral competitions, the Winelands Chamber Choir began participating in vocal competitions in 2014 and won a trophy in the Mixed Choir category at the ATKV/Rapport Suidooster Fees competition.

The choir is also known for hosting various concerts whose proceeds are channelled to charity organisations and individuals in need.

Sefako Makgatho University Chorale

Sefako Makgatho University Chorale (SMU Chorale) is a South African choir comprising Sefako Makgatho University and the Dr George Mukhari Academic Hospital staff members.

Founded by Richard Maboa in 1978, the choir – which is under the tutelage of Tshepo Matlala – is known for making progress in most local choral competitons. They have won the Sedibeng Competition, the Tshwane Choral Music Competition, the Gauteng Choral Music Association Eisteddfod and the National Choral Music Achievement (NACMA) Awards.

Gibraltar Youth Choir

Formerly known as Santos Productions Academy Choir, the Gibraltar Youth Choir comprises singers between the ages of eight and 21. The Gibraltar Youth Choir will compete in the Pop Ensembles and Scenic Pop/Show Choirs categories under the instruction of Christian Santos.

The Gibraltar Youth Choir pocketed its biggest success by earning the champions title at the European Choir Games in the Jazz and Pop and Gospel and Spiritual categories.

University of Warsaw Collegium Musicum Chamber Choir

The University of Warsaw Collegium Musicum Chamber Choir was founded by the employees and graduates of the University of Warsaw in 1994. Aspired to follow the medieval tradition of a collegium musicum (academic society), the choir will represent Poland at the WCG.

The chamber choir was established to create, organise and manage musical activities at the university and give non-musicians an opportunity to perform music at a professional level. The University of Warsaw Collegium Musicum Chamber comprising up to 30 singers and should be favourite with the WCG 2018 crowd.

For more information about the WCG, visit the Interkultur website.

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