NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigeria to host IATF2027 with focus on CANEX and Africa’s creative economy

16 Mar 2026 - 08:44

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Nigeria has signed the host agreement for the fifth Intra-African Trade Fair (IATF2027), scheduled to take place in Lagos from 5 to 11 November 2027, with organisers placing significant emphasis on the Creative Africa Nexus (CANEX) platform aimed at showcasing the continent’s creative industries.

The Host Country Agreement for the fifth Intra-African Trade Fair 2027 (IATF2027) was signed in Lagos, Nigeria, formally confirming Nigeria as the host of Africa’s leading trade and investment marketplace.

The agreement was signed in Lagos between the Government of Nigeria and partners including the African Export-Import Bank (Afreximbank), the African Union Commission and the African Continental Free Trade Area Secretariat. Nigeria takes over hosting duties from Algeria, which staged the fourth edition of the trade fair.

Organisers expect the 2027 event to attract more than 100 000 visitors, 2,500 exhibitors and participants from over 100 countries. The fair aims to generate more than US$50 billion in trade and investment deals.

Among the programmes planned for the event is CANEX, a platform designed to promote Africa’s creative economy, including sectors such as music, film, fashion, digital content and cultural industries. The initiative will run alongside trade exhibitions, business networking sessions and policy forums during the week-long event.

Other activities planned include an AfCFTA-focused trade and investment forum, Global Africa Day to strengthen links with the African diaspora, business-to-business (B2B) and business-to-government (B2G) meetings, an Africa Automotive Show, and the AU Youth Start-up Pavilion.

CANEX to spotlight creative industries

The CANEX programme is expected to serve as a meeting point for creators, investors and policymakers involved in Africa’s cultural and creative sectors. By placing creative industries within the broader trade fair, organisers aim to position the sector as an increasingly important contributor to intra-African trade and economic growth.

Since its launch in 2018, the Intra-African Trade Fair has collectively generated more than US$167 billion in trade and investment deals and attracted over 180,000 visitors from 132 countries.

Olusegun Obasanjo, chairperson of the IATF2027 Advisory Council and former President of Nigeria, said hosting the event in Lagos carries historical significance.

“The signing of this host agreement marks a momentous milestone for Nigeria and for the continent. Bringing IATF2027 to Lagos is historically significant, as this city hosted the Lagos Plan of Action adopted in 1980, which championed Africa’s industrialisation and economic self-sufficiency,” he said.

Obasanjo added that he expects the 2027 edition to exceed previous fairs in scale and impact as African countries work towards building a unified market under the AfCFTA.

Nigeria’s Minister of Industry, Trade and Investment, Jumoke Oduwole, said the fair would provide an opportunity to accelerate trade integration across the continent.

“As we prepare to host Africa’s largest marketplace in Lagos in 2027, we have an opportunity not only to reflect on our reality but to design the future of African trade integration and economic transformation,” she said.

George Elombi, president and chairman of the board of directors of Afreximbank, said Nigeria’s entrepreneurial ecosystem and industrial capacity make it a suitable host for the event.

“The trade fair is about building a strong pan-African single market and expanding intra-African trade beyond the levels we see today. Our collective duty is to use this platform to build value chains, create jobs and generate prosperity,” he said.

Strengthening AfCFTA objectives

Francisca Tatchoup Belobe, the African Union Commissioner for Economic Development, Trade, Tourism, Industry and Minerals, said the trade fair was originally launched to help increase intra-African trade, which remains relatively low compared with trade levels within other regions.

She noted that hosting the event in Nigeria could provide momentum for industrialisation and investment across the continent.

Representing the AfCFTA secretariat, Cynthia E. Gnassingbé‑Essonam said Nigeria’s hosting of the fair would support efforts to operationalise the AfCFTA and strengthen regional value chains.

“The Intra-African Trade Fair has established itself as Africa’s premier marketplace for trade and investment, bringing together businesses, investors and policymakers from across the continent and the diaspora,” she said.

With CANEX forming a key part of the programme, organisers say IATF2027 is expected to highlight the role of creative industries in driving economic diversification, cultural exchange and new trade opportunities across Africa.

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