NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigeria: The Headies begins Road to Toronto ahead of 18th edition

07 Sep 2026 - 08:18

cc-img flag-img

The Headies has begun preparations for its 18th edition in Toronto, Canada, with a pre-awards media briefing and reception hosted by the Deputy High Commission of Canada in Lagos.

Carlos Rojas-Abulu, Deputy High Commissioner of Canada to Nigeria; Hannatu Musawa, Honourable Minister of Arts, Culture and the Creative Economy; Ayo Animashaun, Founder and CEO of The Headies; and David Sproule, High Commissioner of Canada to Nigeria, at The Headies: Road to Toronto reception and media briefing in Lagos.

The event, titled The Headies: Road to Toronto, brought together representatives from the entertainment, media, business and government sectors to discuss the international growth of Africa’s creative industries and opportunities for investment and cross-border partnerships.

The Headies CEO and founder Ayo Animashaun said the Toronto edition would expand the awards’ focus beyond music to examine the wider economic opportunities associated with Africa’s creative industries.

“The Headies has always been about celebrating the people and sounds shaping African music. With our return to Toronto under Africa to the World, we are expanding that conversation to explore the wider economic opportunities around African creativity and create stronger connections between creatives, businesses, investors and international markets.”

The discussions highlighted the broader ecosystem supporting Africa’s creative industries, including film, fashion, media and technology. Participants also examined opportunities to help businesses operating in these sectors access new markets and investment.

Deputy High Commissioner of Canada in Nigeria Carlos Rojas-Abulu said the growth of African music was accompanied by an expanding business ecosystem involving artists, producers, managers, technology companies, media platforms, designers, lawyers and investors.

“From where I sit, at the Deputy High Commissioner for Canada here, there’s another part of that story that is equally interesting, and that is the economic opportunity growing around that success. Behind the music is an entire ecosystem, and some of you know it very well. There are artists, producers, but also managers, technology companies, media platforms, designers, lawyers, investors, and the list goes on. And they are building businesses around African creativity.”

Rojas-Abulu also pointed to opportunities beyond music in areas such as film, fashion, media and technology, while emphasising the potential for stronger commercial ties between Canada and Nigeria.

A Trade and Investment Summit is planned as part of the Toronto programme. It is expected to bring together investors, business leaders, creatives and public-sector representatives to examine cross-border opportunities spanning technology, aviation, infrastructure, smart cities and the creative industries.

The international expansion of The Headies also aligns with the Nigerian government’s efforts to increase the economic contribution of the creative sector. Hannatu Musawa, Nigeria’s Minister of Arts, Culture and the Creative Economy, said the Toronto programme should be viewed as an economic initiative as well as a cultural event.

“The decision to bring the Headies to Canada under the theme Africa to the World is particularly significant. It represents Nigeria to the world, our music, our culture, our stories, our talents and our gifts to have entrepreneurs. But for us in the Federal Government, this is about more than cultural celebration. It has got to be about economic expansion.”

The programme is also expected to build on links between Nigeria and Canada through their creative sectors, businesses and diaspora communities. The African diaspora in Canada provides an additional network for cultural exchange and commercial engagement between the two markets.

The 18th edition of The Headies will be held in Toronto, bringing together participants from Africa, Canada and the wider diaspora. The programme will focus on African music and culture while examining their growing connections to international markets and the wider creative economy.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media