NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Copyright Law

Nigerian Copyright Law- a toolkit

23 Nov 2014 - 12:41

cc-img flag-img

A practical information resource on Nigerian Copyright Law, spanning from requirements for creation, on to registration and enforcement.

legislation-image-460x2500

What Nigerian Law defines as Copyright.

The main law governing Copyright in Nigeria is the Copyright Act of 2004. This Law at Section 1 provides the categories of works, which qualify for Copyright protection. These being: literary works; musical works; artistic works; cinematograph works; sound recording; and broadcasts. This paper shall thus focus on the most relevant areas Music and Sound Recordings

Works qualifying for protection

The act also provides that for a Musical work to qualify for protection, it must be expressed in a form that is original and in a definite medium, in which it can be communicated or perceived e,g Compact disc, LP, cassettes etc. Thus for a work to qualify for protection, it would have to have a sufficient amount of originality, for which the owner can identify a unique creative effort, of which it exists in a definite format that can be heard, seen or broadcast.

Registration of Copyright.

In general, publication of a copyright work in a definite format, entitles the author to exercise a copyright, of which delivery in electronic or hard-copy format would reinforce such publication. However in Nigeria, additional protection is provided by the Nigerian Copyright e-Registration System (NCeRS), operated by the Nigerian Copyright Commission, which provides for the electronic registration of Copyright, in a straightforward process and upon payment of a fee. More information in this can be found by clicking on this link Nigerian Copyright e-registration.

Who is entitled to Copyright protection under Nigerian Law?

Also the act provides Copyright protection for authors of works, who are either Nigerian Individuals and Corporations domiciled in Nigeria or works originating from a country, which is signatory to a Treaty to which Nigeria is a signatory. These treaties include the Universal Copyright Convention (UCC), The Trade Related Aspects of Intellectual Property Rights (TRIPS). The World Copyright Treat (WCT) of the World Intellectual Property Organisation. The list of nations subject to these treaties generally includes nations who are members of the World Trade Organisation and a list of those countries can be found by clicking on the link WTO members. The list covers virtually all member nations of the United Nations. Ownership of Copyright, gives the author the right to reproduce, publish, produce, perform, distribute, adapt or broadcast the work in Nigeria. In relation to Sound recording, Nigerian Law gives the author, the right to recording, broadcast and distribution of the work to the public in whole or in part. The law also gives the owner the right to transfer, assign or licence the copyright to the work in whole or in part.

Infringement

A copyright owner will always have the right to exercise a right of ownership over a work, and to challenge the infringement of copyright, where that work has been reproduced, broadcast, or performed by a person without prior permission having been obtained either by way of an assignment, licence or any other kind of legal transfer of the copyright, by the copyright owner. The only exception would be where the works are stored at the Nigerian National Archives offices and are supplied to the public, by the Archives Office in the legal exercise of its duties.

Enforcement

A Copyright owner is entitled to make a Claim in Court to obtain legal relief where they feel their rights have been infringed. The protocol involves firstly writing to the guilty party, warning of the Copyright infringement and requesting that the infringement should stop and warning further that a claim will be made to Court for financial or other compensation if the infringement does not stop. In some instances where there is clear and brazen infringement of copyright, an owner would go to Court for what is called an order of Injunction, to prevent the infringing party from continuing to carry out the breach of copyright, in some instances the order of court would involve the seizure of goods such as CD’s, Tapes, Video’s etc which have been employed in the Infringement.

The appropriate court for Claims involving Copyright in Nigeria, is the Federal High Court, a specialist court dealing with Commercial claims amongst others. A Copyright holder is entitled in a claim to obtain damages, for loss of earnings, caused by the breach of copyright, as well as any profits made by the person in breach of copyright and order stopping any further acts of breach.

Nigerian Law also provides for Criminal sanctions for persons wilfully breaching Copyright, such as the brazen, wholesale reproduction of Musical works. The punishment being a N100 fine for each item copied illegally or a 5-year prison term. There are also sanctions for persons, providing buildings and equipment for the breach of Copyright, this being a fine of N100 or a 2-year prison term. These are in addition to any civil claim for damages, the owner may choose to pursue, as listed above. The law however provides that a person who unknowingly breaches Copyright, such as one who reproduces a work, unaware of the existence of the copyright, will not be liable for damages, however the person would be liable to account for any profits made from the breach.

In all circumstances, professional legal advice and representation is strongly advised and a list of Lawyers in Nigeria offering such services, is contained in the Music in Africa directory.

The Nigerian Copyright Commission and the Copyright Society of Nigeria (COSON) ae Nigeria’s sole regulatory body and Collecting Society respectively and provide useful information on steps to be taken for registration, protection and enforcement of Music in Nigeria

Conclusion

The Nigerian Copyright environment offers a robust platform of registration and enforcement for artistes. The key being to as much as possible seek advice from professionals and professional bodies whilst ensuring detailed accounts and documentation on your copyright works.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media