NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigerian DJ breaks world record for marathon set

04 Jul 2016 - 10:59

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The Lagos-based DJ Obi, real name Obi Ajuonuma, has played the longest DJ set ever.

DJ Obi has set a new record for longest set played by a DJ.

Before DJ Obi achieved the feat, the Guinness World Record for Longest Marathon Club DJing was held by Norbert Selmaj, a DJ from Poland who performs using the name Norberto Loco. Selmaj set his 200-hour world record in 2014 playing in Dublin, Ireland. That record was broken by Ajuonoma, in Lekki Phase 1, Lagos, pending verification by Guinness World Record, on 2 July 2016. Prior to his record setting exploit, DJ Obi had won the Best DJ category at the 2011 Nigerian Entertainment Awards.

The DJ's team put the hours clocked at 229 hours and 58 minutes. The session, according to the team, ended finally due to “medical advisement”.

As fans of the DJ and his attempt cheered him on during the just under 10-day slog, the DJ took a cumulative 2-hour break each day, mostly in bursts, and then returned to continue playing. There were reports that the DJ hallucinated at some point during his attempt.

In a statement giving thanks, DJ Obi’s team said, “DJ Obi has been overjoyed by the love, support, encouragement and prayers he has received in the past ten days. Supporters have showed up by the thousands, and messages have poured in from every corner of the world. It has been a 24-hour party at Sao Café Lagos since last Wednesday! If there is one word we are sure he would want you to leave you with it is, ‘grateful’.”

Meanwhile, a small controversy ensued on social media when the BBC tweeted a news story saying, "DJ Obi Ajuonuma, based in Lagos, says he has beaten the current non-stop DJ'ing world record." He has broken the record, some said, why then is the British media establishment less than declarative in its report. The BBC did however add that "DJ Obi's record has not been verified by Guinness World Records." The DJ Obi team are now working with the Guinness World Records for official verification.

To close the set, DJ Obi played the Drake, Wizkid and Kyla song ‘One Dance’, with the rapper MI performing at a celebratory post-record-breaking party at the same venue.

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