NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigerian pianist to bridge classical worlds in the US

28 Mar 2018 - 14:45

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Pianist and music scholar Echezonachukwu Nduka will perform at the Transformation Spring Recital on 29 April in the US.

Echezonachukwu Nduka will perform at the Transformation Spring Recitals in the US. Photo: FB

Nduka studied music at the University of Nigeria and earned an MA in music at Kingston University London. He has since performed across Nigeria, the US and the UK.

As part of the repertoire, the Nigerian pianist will play African classical music, including works by such composers as Fred Onovwerosuoke from Ghana as well as Nigeria's Peter Sylvanus, Chijioke Ngobili and Christian Onyeji. (Onyeji composed the popular Igbo Christmas song 'Amuwor Anyi Nwa').

In a social media post inviting people to Nduka's recital, Ngobili noted the difference in acceptance of Western and African classical music, saying that many African classical music enthusiasts have “hardly gone to hear and see how their own African musical instruments like udu, ogene, ekwe, etc. are beaten right on the piano through the artistic concept we call ‘African Pianism’ hatched and developed since the early 1970s by African music scholars and composers themselves".

“We in the African musical arts are telling our story using the piano, and we want you to identify with it and be proud that beyond the language arts, we extended 'domestication' to the musical arts too,” he wrote.

Speaking about the importance of performing the works of African composers, Nduka told Music In Africa that art deserved diversity.

"Every work of art has the propensity to connect to a new audience when its medium or means of expression is redefined," he said. "African music, especially the more traditional forms, are expressed classically using the same or sometimes varying elements of harmony, counterpoint, rhythms and forms often used in Western classical music not only for art’s sake but also to have these works accessed on the same level as one would any European classical work."

Nduka will also perform pieces from European composers Prokofiev and Schumann, both of whom have been acknowledged as important figures in the annals of classical music. The mix of Western and African pieces, says Nduka, "introduces diversity into the already monotonous classical repertoire. It’s exciting to play works by Joshua Uzoigwe, Akin Euba, Fred Onovwerosuoke or Christian Onyeji right after a Beethoven sonata."

Nduka began playing recitals in the US last year and says working outside of his home country has been challenging yet exciting.

"Concertgoers here particularly like the fact that I play African classical piano works. They know their Beethoven, Chopin, Schubert and all, but hardly know anything about classical music from Africa.

"They are curious and I’m happy to fill that gap by bringing new works to the stage. I am hopeful that in the next couple of years, through regular performances, recordings, master classes and lecture recitals, African classical piano music will become a major part of the classical repertoire," he said.

The Transformation Spring Recitals takes place on 29 April at the Transformation Church, located at 114 Route 50, Mays Landing, New Jersey.

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