NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nigerian police probe death of singer Mohbad

18 Sep 2023 - 07:16

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Nigerian police are investigating the death of Afrobeats singer Mohbad who passed away on 12 September aged 27.

Mohbad.

In a statement signed by Nigeria Police Force spokesperson Muyiwa Adejobi and shared on X, formerly Twitter, the law enforcement agency said it was “committed to a comprehensive investigation into this matter as the Lagos State Commissioner of Police has been tasked to unravel the circumstances surrounding his death.

“We encourage family members or close associates with valuable information to approach the Lagos State Commissioner of Police to assist in this process,” the statement further read, adding that individuals should “refrain from making statements or engaging in activities that could jeopardise the ongoing investigation.”

Adejobi also told local broadcaster Daddy Freeze during an Instagram Live session days after news of Mohbad’s death broke that Nigerian police are considering exhuming the singer’s body for autopsy.

“Mohbad was light until the very end,” said the musician’s family, confirming his death last Tuesday. “Imole is finally at peace.”

Mohbad's death has stirred up a mix of grief and controversy on social media, with many raising concerns of foul play. Videos depicting alleged attacks on the musician, including an incident during a music video shoot with Zlatan Ibile, have circulated online. Additionally, a petition filed by Mohbad in June to the Lagos Police against socialite Sam Larry Elegushi and others has resurfaced. The petition detailed threats to his life, significant property damage, assault causing harm, oppression, and conduct that could incite a breach of peace. It described an unsettling incident during a video shoot where a group led by Sam Larry Elegushi disrupted the shoot, damaged equipment and threatened Mohbad's life.

The petition detailed threats to his life, malicious property damage totalling ₦5 million (about $6 000), assault causing harm, oppression, and conduct likely to incite a breach of peace in Eti-Osa, Lagos State. It recounted an incident on 25 June during a video shoot with another artist Zatan Ibile, where approximately 15 individuals led by Sam Larry Elegushi arrived with dangerous weapons, disrupted the shoot, damaged equipment and threatened the singer’s life. The petition stated that the assailants claimed to work for Nigerian monarch Oba Elegushi and continued to threaten the singer’s life.

“I call on your good office to save my life from the above-mentioned persons and bring them to book,” the petition concludes.

Taking to social media amidst the allegations, Sam Larry Elegushi has denied any involvement in Mohbad's death. “When he was signed to Marlian Records, he knew I loved him so much,” he said. “The videos going viral happened last year when I was not in the country. So, I can’t kill Mohbad. God sees my heart, and I love him so much. I don’t know anything about his death.”

Rapper Naira Marley, whose Marlian Records was home to Mohbad until 2022, has also issued a statement mourning the loss of the artist and emphasising the need for sensitivity in media coverage and discouraging the online community from spreading damaging accusations that could hinder the investigation.

“Mohbad is an incredible street popstar who contributed to the foundation of the Marlian Music,” Marley said. “Despite his departure last year we continually championed his talent. No family is perfect, families have disagreements but no harm whatsoever was wished on Mohbad. We urge our colleagues in the media to treat this matter with the utmost sensitivity, respect and care. We publicly appeal to the authorities to do due diligence and we will work closely to support those handling the matter. Finally, [we] urge the online community to refrain from circulating damaging accusations that could compromise the investigation.”

Meanwhile, Mohbad’s family has expressed gratitude for the public’s support following his passing, adding that they are focused on preserving his legacy and highlighting his fight for justice regarding his songs and unpaid royalties held by Marlian Music.

“Before his passing Mohbad was in court to retrieve the majority of his songs and unpaid royalties which were wrongfully held by Marlian Music,” the family said. “We will continue the fight to retrieve his catalogue and unpaid royalties so that through these, those he left behind, especially his son, Liam Imole, will be provided for. We want justice for Mohbad and we will appreciate all the support we can get in this fight to retrieve his catalogue from Marlian Music, as this is the justice that Mohbad was working towards.”

Born Ilerioluwa Oladimeji Aloba, Mohbad, a multiple Headies Award nominee, was behind the 2020 eight-track EP Light that featured Davido, Naira Marley, and Lil Kesh. In June, he dropped his sophomore EP Blessed, with collaborations from Bella Shmurda and Zlatan.

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