NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Nile Project musicians to embark on tour of Europe

06 Jun 2016 - 08:28

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Following a successful tour of Africa in early 2016, artists that are part of the Nile Project collective are set to take their unique fusion of African sounds to Europe for the first time.

The Nile Project musicians set to tour Belgium and the UK this month.

A dozen artists are set to perform (and take part in panel discussions) in Brussels, Belgium on 15 and 16 June before staging two concerts in the UK on 18 and 19 June.

The artists on the Nile Project's upcoming European tour are Adel Mekha (Egypt), Ahmed Omar (Eritrea), Asia Madani (Sudan), Claude Ciza (Burundi), Dave Otieno (Kenya), Dawit Seyoum Estifanos (Ethiopia), Endalekachew Nigusie (Ethiopia), Msafiri Zawose (Tanzania), Kasiva Mutua (Kenya), Nader El Shaer (Egypt), Roza Kifle (Ethiopia) and Saleeb Lowza (Egypt).

The full tour dates are as follows:

  • Wednesday 15 June: Panel discussion and live concert at the 10th European Development Days forum at Tour & Taxis in Brussels, Belgium
  • Thursday 16 June: Bozar in Brussels, Belgium
  • Saturday 18 June: Yorkshire Festival at The Alhambra Theatre in Bradford, UK
  • Sunday 19 June: Islington Assembly Hall at the Barbican in London, UK

Among the touring musicians is one of Kenya's leading guitarists, Dave Otieno, who is fluent in the Benga style common to the Lake Victoria region. He has worked with various artists from Kenya and across Africa. In 1995 he was commissioned by the Ethiopian Government to design a recording studio for the Mega Creative Arts Centre in Addis.

Egyptian percussionist and vocalist Adel Mekha will mesmerize with his knowledge of traditional Nubian rhythms and his expressive singing voice. He has worked with a wide range of ensembles and projects in and around Cairo and is currently a member of Uss We Lazq (Cut & Paste), a socially engaged Egyptian band.

Burundian artist Claude Ciza began his musical journey on traditional drums before his curiosity carried him to modern sounds. By the age of 18, he was touring Africa with Kidum and Samputu, among others. He later moved to the Netherlands, where he graduated from Prins Claus Conservatory studying jazz drumming under the tutelage of Ralph Peterson and Steve Alternburg. A composer, drummer and in-­demand teacher, Claude has toured Europe, Africa and the US.

Nader El Shaer was born and raised in the musically diverse climate of Port Said, Egypt. Despite never receiving formal training, he started playing accordion at a young age, switching to the ney (a Middle Eastern flute) as a teenager before discovering a deep connection with the tone of the kawala (another type of flute). Nader is a master the Middle Eastern musical tradition of maqam, but also listens to and plays music from India, Turkey and East Asia.

The Nile Project’s first album, Aswan, was released in 2013 and a follow-up, Jinja, was recorded during the Project’s 2015 US tour and is set to be released soon. Founded in 2013, the project strives to further musical exchange and dialogue and to raise awareness of the Nile region’s delicate ecosystem.

For more information about the Nile Project and its European tour, visit the collective’s Facebook page.

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