NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

No music in Liberia’s six-year tourism plan

30 Aug 2018 - 12:38

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In just over a half-decade, Liberian tourism could become a million-dollar industry. But the country's music scene might not be contributing to the industry. 

There is no mention of music in Liberia's new tourist drive.

This comes as other countries, notably Nigeria and Uganda, are working on reducing the gap between music and tourism.

The set-up to bring Liberia's plan to fruition was recently made public by Lance Gbagonyon, the country’s Deputy Minister of Cultural Affairs and Tourism.

The target, said Gbagonyon, is 15 million international visitors by 2023. The potential boost to Liberia’s economy is put between $20 to $40 million.

“My goal is to promote the tourism industry as one of the economic pillars for growth and job creation, and I’m working around the clock to make it a reality,” he said.

“The first priority area under the six-year strategic plan focuses on improving and persevering heritage, eco- and wildlife tourism structures. For heritage tourism, we are going to reconstruct the home of President Joseph Jenkins Roberts, Africa’s first democratically elected president, which stands on Ashmun Street and still has its original look of the 1800s. This would be turned into a museum, likewise the birthplace of President Weah, the world’s first soccer star to become president. It will not just be an ordinary museum with memorabilia or artifact, but one that offers visitors a night’s stay.”

The minister was silent on the possible contribution the music industry could make to the tourism plan, a far cry from fellow West African country Nigeria’s recent plan for tourism.

“Although we still have safari and wildlife in Nigeria, no doubt, but our greatest strength lies in our creative industry, our music, films and theatre,” Nigeria’s Minister of Information and Culture Lai Mohammed recently said. “This is an area where we want to build on. It is an area where we have comparative advantage over many other countries. We have been able to brand Nigeria tourism; Nigeria tourism is unique especially with the creative industry.”

Over in Uganda, music tourism, has drawn interest. Gaston Wabomba, CEO of a tour company, recently spoke about the appeal of music festivals to a young touring audience. "We realised that the younger crowd was not adequately catered for so we began shopping for a music festival we could work with."

For Liberian tourism, the focus is on geography, even as the country's president, George Weah has shown love for music: “The relocation of the cultural village to Behsao will be persevered as well as the 300-plus-year-old ruin defense wall in Lofa County, among others. Every tourist in this world will want to have a night on the bed President Weah slept on while growing up. This is an experience no one would want to miss.”

To facilitate the tourism plan, which will depend on a viable public-private partnership, the country is considering e-visas for tourists. “The issuing of e-visas will open up the country’s tourism industry to the world and make it vibrant,” Gbagonyon said.

“Tourists want to visit Liberia, but they find it difficult because of the visa process, which discourages them from visiting the country. However, everything will change once this e-visa, which will be meant only for tourists, comes into existence next year.”

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