NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

#Uganda

Nyege Nyege Festival’s third edition to highlight Uganda’s traditional music

15 Jun 2017 - 11:40

cc-img flag-img

The recording and archiving of African music is important, thanks to the emergence of new technology, the process of production is now simpler. In addition, the content can be dispatched easily and faster.

nyegenyege

Hugh Tracey was the first ethnomusicologist to travel while listening to and recording the music of sub-Saharan Africa. Before his death in 1977 he had collected 20.000 recordings which are stored at The International Library of Music.

He was in Uganda between 1950 and 1952 were he produced songs on a special series, Royal Court Music of Uganda, which has been shared to various African music explorers and academics.

This year’s third edition of Uganda’s Nyege Nyege Festival seeks to also showcase Ugandan traditional music. The music and dance will be from different tribes in Uganda, dances in Uganda defer thereby giving each tribe an identity. Dancing is like dreaming with your feet, comparably to other African countries, Ugandans accompany music with dance. The music is themed around everyday life such as wedding parties, burial ceremonies, courtship and ritual dances.

Nyege Nyege festival organisers yearn to showcase the connections between Africa and the rest of the world. Africa’s connection with the world does not end with music, traditional foods are also an important aspect that interests the world. Therefore the festival offers the revelers an opportunity to celebrate the diverse food heritage of East Africa and the world by flaunting a wide range of original recipes, ranging from East and West African snacks, east African Afro Asian fusion, Thai and Indian curries and delicious barbeque.

Music and dance are a fraction of art short of sharing music, Nyege Nyege festival also gives artists the opportunity to display their art along with second hand books, and unique clothing items handcrafted by designers from the region.

For those who love the Kitenge fabric pronounced as chitenge by Ugandans, tailors will be available with fabrics from across the continent ready to make a custom piece for anyone wishing to get clothes made during the festival. The Kitenge was previously used to make traditional attire but it has now been embraced by modern designers.

Aside from highlighting Uganda’s traditional music the three day festival will also feature international acts who are expected to arrive in August, a month ahead of the event which will run from 1 to 3 September 2017.Cameroonian singer Reniss has been confirmed to be on the line up and she will appear alongside rapper Jovi. Here is what to expect from her:

Ghanaian DJ/producer Gafacci and South African artists cruel Boyz are on the line up to perform. European acts include Peter Power, Dj Spooky, Airhead, Ninos Du Brasil and Harmonous Thelonious. London-based radio station NTS will host a stage at the festival, with Moxie, A.G, Skinny Macho and Rhythm Section resident Anu.

If you were thinking twice about attending the festival have a look at last years’s edition.

Aside from recording Traditional African music and dance for preservation, festivals similar to Nyege Nyege should be used as a platform to remind the world of the beauty of African dance and Music.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media