NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: American Songwriter Song Contest 2024

01 Aug 2024 - 10:31

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Artists from around the world are invited to submit entries for the 29th edition of the American Songwriter Song Contest.

The deadline is 24 December 2024.

How to enter

  • An entry fee of $25 payable digitally to American Songwriter is required with each song entry.
  • By entering, entrants agree that this entry fee is necessary to cover the processing and administration of the contest.
  • Entrants may enter as many songs as they would like into any available category. Each entry requires a $25 fee.
  • All songs entered must be original compositions with all song authors credited. Only valid streaming URL links will be accepted (e.g. YouTube, SoundCloud, Spotify, etc.).
  • Entrants should double-check URL links before entering. American Songwriter is not responsible for issuing refunds based on broken, private or otherwise invalid links.
  • MP3 files are not accepted. Entrants may enter a variety of recording styles, including demos, worktapes and finished masters.
  • The contest requires the song to be clearly audible in the recording. This is a song contest based on the musical elements present in the composition, not a singing contest.
  • Songs will be evaluated based on lyrics, melody, likability, overall composition, and various other musical considerations. Songs will not be evaluated on recording quality, vocal prowess, or other similar values. We simply require that the recording clearly presents the song in its fullest light.
  • Entrants may enter online only via americansongwriter.com. Refunds will not be issued under any circumstances. No feedback will be provided on the songs entered into the contest.

Eligibility

  • The contest is open to any songwriter, artist, musician, and/or band from anywhere in the world.
  • The following parties are not eligible: (i) Employees, independent contractors, and/or affiliates of American Songwriter, or any of their immediate family members, (ii) contributors to the contest (including judges and other contributors as we may determine on a case-by-case basis) and (iii) employees of sponsors.
  • By submitting, entrants agree that they (and all associated co-writers on your submission) are not employed by or affiliated with American Songwriter, or any of its affiliates, entrants are not a contributor in any way to the contest, and you are not employed by or affiliated with any of the contest sponsors and entrants have not been at any time during the previous two years.
  • Entrants represent and warrant that (a) all registration information they submit is truthful and accurate; (b) they will maintain the accuracy of such information; and (c) their entry to the contest does not violate any applicable law or regulation.
  • Entrants are under 18 years of age, must have permission and clearance to enter the contest from their parents or legal guardian.
  • Entry of the contest is void where prohibited.
  • All contest winners are notified by email address or phone number. If the chosen winners do not respond to American Songwriter’s notifications within seven days, American Songwriter reserves the right to contact runner-ups for the receipt of the prizes. International winners must pay any and all customs fees for delivery of prizes.

Artists can apply in any of the below categories:

  • Americana
  • Blues
  • Children’s music
  • Christian
  • Country
  • EDM (Electronic Dance Music)
  • Folk/Singer-Songwriter
  • Hip Hop/Rap
  • Indie
  • Instrumental
  • Jazz
  • Latin music
  • Pop
  • R&B/Soul
  • Rock
  • Teen
  • World Music

Prize deliveries

Prize delivery of all prizes will be coordinated via email. Video consultation calls with selected mentors will take place in 2024. If any prize is not fulfilled within 180 days of the official winner announcement, it is the responsibility of the winner to notify American Songwriter in writing. If the winner fails to notify the American Songwriter of any outstanding prizes within 180 days, American Songwriter can no longer guarantee prize fulfilment.

Interested artists should apply here before 24 December 2024.

View the original call here.

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