NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Open call: Arts and Culture Trust expression of interest

11 Dec 2025 - 10:49

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The Arts & Culture Trust is inviting community arts centres to submit Expressions of Interest (EOI) for consideration on outreach initiatives.

The application deadline is 30 January.

ACT seeks to strengthen community-based arts development across South Africa by partnering with community arts centres per province to expand access to quality arts education, skills development and business mentorship and investment for artists and young audiences.

Purpose of the EOI

The EOI aims to shortlist strong, credible and active community arts centres that can serve as provincial hubs for arts development. Selected centres will be considered for collaboration in ACT programmes including training, community engagement, talent development, and national showcase opportunities.

Eligibility criteria

To be considered, applying community arts centres must demonstrate the following:

Infrastructure & operational capacity:

  • A functioning physical facility (rehearsal rooms, studios, performance space or similar)
  • Reliable internet connectivity and basic ICT resources
  • Safe and accessible environment for beneficiaries and staff

Governance & compliance:

  • Legally registered entity (NPO, NPC, Trust or similar) with valid compliance documents
  • Strong organisational governance structure (Board/Management Committee)
  • Sound financial management systems with at least one recent financial statement or report

Human resources & delivery capacity:

  • A minimum of two full-time staff members, including a centre manager/administrator
  • Qualified or experienced facilitators/instructors in the arts disciplines offered
  • Demonstrated ability to plan and deliver annual programme activities

Programme strength & sector contribution:

  • Active and consistent annual programming in arts training, community outreach, youth development and/or cultural activities.
  • Strong track record with evidence of impact (photos, evaluation reports, testimonials)
  • Demonstrated ability to host, coordinate, and support multi-month structured training programmes.

Reporting, monitoring & evaluation:

  • Established systems for documenting and reporting programme implementation
  • Ability to track participant data, attendance, progress, and outcomes
  • Commitment to regular reporting in line with ACT’s requirements

Partnerships & community reach:

  • Strong relationships with local schools, artists, cultural stakeholders, and local or provincial stakeholders
  • Ability to engage youth and broader communities
  • Experience in inclusion, diversity, and accessibility practices

Requirements:

Letter of Motivation (max. 3 pages) including:

  • Vision and mission of the centre
  • Summary of programmes and beneficiaries
  • Potential alignment with ACT programmes or ethos
  • Geographic reach and audience served

Organisational portfolio including:

  • Evidence of work (photos, videos, links, programmes, media coverage)
  • Organisational structure (staffing, key roles, bios)
  • Annual calendar or schedule of activities
  • NPO or NPC certificate
  • Monitoring & Evaluation framework or examples of reporting previously done
  • At least two (2) references from partners, funders, or beneficiaries

Submission process & deadline

Interested Community Arts Centres must submit their complete EOIs via the ACT online application form here, with all required documents submitted no later than 30 January 2026.

Evaluation & next steps

EOIs will be evaluated based on the criteria above. Shortlisted centres will undergo a site assessment and follow-up interview. Final selection will be confirmed through a formal partnership agreement.

Email [email protected] for more information about this call.

Disclaimer: Opportunities published on this platform are provided by external organisers. While we aim to share accurate and current calls, Music In Africa is not responsible for the organisation, management or delivery of any related events or programmes.

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